Marie Marshall

Author. Poet. Editor.

Category: ballad

The ghost-caller

The last of my old offerings for the season of ghoulies and ghosties and long-leggedy beasties and things that go bump in the night, of bauchles and bogies and long-toothed flesh-feasties, and shadows that torment your sight. Go do Halloween, but have a care for your immortal souls…

.

The ghost-caller

Where once the sunlight filtered through a curtain
The woman sits, abandoned and alone;
See how such solitude is iron-certain
In deeper-darkness, and how late it’s grown.

But wait a while – though many tears are falling
And though the lonely, moonlit hours are long –
To shifting shades the woman’s voice is calling,
And ghosts and demons hear the drifting song.

These spectres are the woman’s own creations
That crawl into penumbras, opportune
And evening-timely come these apparitions,
As heat’s a trusted herald of monsoon!

But will these things of darkness leave at morning,
Or will they haunt the woman through the day?
That’s not for us to know – so heed my warning,
And from this place of sadness… come away!

.

.

.

.

__________

The crystal ball

The plunge towards Halloween, no matter how our fingernails scrabble at the granite walls as we slide, is inexorable. So here is another gothic offering from 2006, the year I scaled the Mountains of My Madness. This one was inspired by a painting by J.W. Waterhouse…

.

             The crystal ball

.

Where has the seeress lost herself?
In what relentless seas
Sails she, with helmsman sprite or elf,
To seek elusive ease?

What worlds are cupped within her hands?
And where her steady gaze
Falls, are there rich, exotic lands
In sunlit ancient days?

Her lips that seem to wish a kiss,
Her beauty gowned in red –
Is all her being wrapt in bliss,
Or does she see the dead?

Lo, there! Her grimoire and her wand –
Behind, a grinning skull –
Are spirits summoned to respond,
Or are her senses dull?

What knowledge, what enlightenment
Seeks she in realms arcane?
Beware, my sweet! All’s transient,
Your loveliness will wane!

Whatever is the magic lore
Whose secrets now entice
You through a dark and one-way door –
You pay too high a price!

So lady, lay that art aside,
Forswear your mantic ball
For mind’s health, beauty’s morningtide –
Or, hazarding, lose all!

O Darkness, be my friend

Another poem from my old gothic collection, disinterred for the approach of Halloween. These poems have been greying in my family crypt, behind the rusting, wrought-iron gate that hangs off its hinges but opens just wide enough for a fearless – or reckless – adventurer to squeeze through, down the dark steps lit only by a faint phosphorescence, inside an ancient sarcophagus in which there appears to be nothing else but dust. If you want to snatch the manuscript, be quick! There are rustlings in the darkness, and the echo of what might be eldritch laughter…

.

O Darkness, be my friend

O Darkness, be my friend;
come, sheath my searing shame
in shadows. Comprehend
the scarlet of my name,
the flames of which transcend
the tinsel-gold of fame!

O Darkness, take my sight;
with cold penumbras bind
these brimming eyes, contrite
in error, hard-maligned
in judgment. Take them – blight
their seeing, make me blind!

O Darkness, unto death
walk with me; with thy wand
strike dumb my Shibboleth –
my tongue dare not respond!
Be this my final breath;
who knows what lies beyond!

 

The Marseilles Diligence

In the run-up to Halloween, I thought I would dig out some of my gothic poetry from years ago, just to chill your blood. Beware the ghostly march of brides…

 

The Elvish Knight. (Child Ballad 4)

Rackham detail

 

A knight came out of the fairy land
With the gold and the grey and the green-i-o
And he’s asked a lady for her hand
As the willow grows in the dene-i-o

First go and fetch me your father’s chest
With the gold and the grey and the green-i-o
And then put on your Sabbath best
As the willow grows in the dene-i-o

Go down to the stable and meet me there
With the gold and the grey and the green-i-o
And it’s I on a colt and you on a mare
As the willow grows in the dene-i-o

It was she on the white and he on the bay
With the gold and the grey and the green-i-o
Three hours before the break of day
As the willow grows in the dene-i-o

It was over the moss and over the mire
With the gold and the grey and the green-i-o
It was over the bush and over the briar
As the willow grows in the dene-i-o

It was he as the groom and she as the bride
With the gold and the grey and the green-i-o
And they rode till the came to the cold river’s side
As the willow grows in the dene-i-o

Dismount, dismount my lady fair
With the gold and the grey and the green-i-o
For it’s six pretty maids I have drowned there
As the willow grows in the dene-i-o

Take off, take off your silken gown
With the gold and the grey and the green-i-o
For it’s much too fine to sink and drown
As the willow grows in the dene-i-o

First draw your brand and crop those thistles
With the gold and the grey and the green-i-o
For I cannot ’bide their jags and bristles
As the willow grows in the dene-i-o

Then he’s turned around for to crop them all
With the gold and the grey and the green-i-o
And she’s catch’d him around the waist so small
As the willow grows in the dene-i-o

Then she’s thrown him over the water’s brim
With the gold and the grey and the green-i-o
Oh I’ll surely drown for I cannot swim
As the willow grows in the dene-i-o

Lie there, lie there in the water deep
With the gold and the grey and the green-i-o
Now close your eyes and go to sleep
As the willow grows in the dene-i-o

Then she’s up on her horse and she’s rode away
With the gold and the grey and the green-i-o
Three hours before the break of day
As the willow grows in the dene-i-o

Now a magic bird in her window high
With the gold and the grey and the green-i-o
It’s begun to prattle and begun to cry
As the willow grows in the dene-i-o

Oh do not prattle and do not scold
With the gold and the grey and the green-i-o
And your cage shall be made of the finest gold
As the willow grows in the dene-i-o

Now her father on hearing the bird did say
With the gold and the grey and the green-i-o
Oh why do you sing at the break of day
As the willow grows in the dene-i-o

There came an old tomcat my life to take
With the gold and the grey and the green-i-o
And I called to my mistress so she would wake
As the willow grows in the dene-i-o

__________

As you know, I like composing (new) versions of Child Ballads. The poem above – song, rather – is a version of Child 4, often known by such titles as The Outlandish Knight and May Colvin and False Sir John. When I do this sort of thing, is it folklore or fakelore? You decide.

The illustration at the top of the page. is a detail from Arthur Rackham’s May Colvin.

Other stuff for you to see today: My one-off artistic statement, and some guest poems on the site of my friend Mari Sanchez Cayuso – desert poem 17, desert poem 18, and desert poem 19 – definitely not Child Ballads.