Marie Marshall

Author. Poet. Editor.

Category: news

Vera Rich meets Taras Shevchenko at the Kievo-Percherska Lavra

I recently heard from poet Bob Newman, on his return from a trip to the Ukraine. He had been among the delegates to a commemoration of the late Vera Rich, held on the tenth anniversary of her death. This included a poetry-reading at the Ivan Franko University in Lviv. Bob told me that included in that reading was my poem with the above title, which had been published originally in issue 50 of Manifold, the poetry magazine Vera had founded, and which she had edited for many years before her death. I wrote it as a tribute to her.

As I have reported before, I got to know Vera Rich late in her life. We corresponded by email and on poetry forums. I always took her critiques of my poetry on the chin – she was very forthright – and I knew that if she praised something it must therefore be very good. Occasionally we had fun – just see our exchange of ‘Mongolian’ limericks.

Just before she died, Vera engaged me to read through her translation of the Ukrainian epic The Death of Cain by Ivan Franko. Unfortunately we never completed the work on that poem.

Anyway, here is the sonnet I wrote to Vera ten years ago. It describes her joyful arrival in heaven.

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Vera Rich meets Taras Shevchenko at the Kievo-Percherska Lavra

Hey – Taras! Is that really you, old friend?
Then that was not the Dnepr I just crossed
But Jordan. This is every journey’s end –
The halls of Paradise – and I’m not lost.

They say the Lavra’s gates remit all sins,
So I have walked through three times, to be safe,
And now discover here my rest begins,
My limbs are strong, my shoes no longer chafe.

Good Lord – this air is clear! Elysium
Reminds me of Ukraine and Belarus;
So this is what they mean by “Kingdom Come” –
But Taras, what will now be asked of us?

Eternal worship? Ah – in adoration –
The seraphs’ hymns deserve a good translation!

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Vera Rich 2005

Pinning the tail on sunlight

Nice things people have said to me so far in 2019:

“You’re too brilliant to pin down, Marie. Like trying to pin the tail on the sunlight.”

“In my version of you, more like trying to pin the blame on an exploding supernova.”

“… arrogant bint!”

The third one there was said affectionately, I can assure you.

Not so much a revival, more a recycle:

In 2010 I opened a new website for my Lithopoesis project. I have played around on the edges of experimental poetry more-or-less ever since my stint of writing sonnets came to a close (“I’ve learned how to draw,” I said, “and now I’m entitled to pickle a shark and call it ‘art’.”), and it is now almost a decade since that particular period of work. The last post I made there, adding a forgotten piece of work, rather than constructing something new, was in 2012.

impact 01bNow, however, I have decided to add another page there, to house the dribs and drabs of what I call ‘Impact Art’. Now, you know me – I don’t like to explain what I’m doing. You read my poetry and my prose, as is, and you make what you can of them. I feel, more often than not, that explanation is a destructive process. You, on the other hand, take over the matter of creation as soon as you see something of mine, as soon as you look at it, give it attention, relate to it, react to it, interpret it. Let that interpretation run to a scholarly thesis if you wish, go nuts, it’s fine by me.

So go and have a look at my ‘Impact Art’. Clicking the image to the right of this post will take you to its threshold; or you can simply click on the ‘Impact Art’ tab at the top of the page, over on the Lithopoesis site. Follow the blog there – I’ll post an update in the blog section whenever I add something new.

Am I still writing poetry?

Yes, over at Kvenna ráð I am. I’m resting my ‘Two hundred and seven words’ prose-poetry at the moment, and dropping an occasional haikuform poem, but yes I’m still dabbling. Go there, follow that too.

Thank you.

M.

 

Pitlochry drops ‘Fearie Tales’!

I Just got the word today, via Facebook, that the Winter Words festival, which is happening as usual in mid-February in the Scottish Highland town of Pitlochry, has dropped its wonderful Fearie Tales competition! My oh my this is bad news – not simply because I have been one of the most regular finalists and therefore have had a door shut on a platform for my own stories, but because the same door has been shut on short-story-writers in Scotland in general. Boo! Get the message? BOO!

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On a positive note, the Winter 2019 Showcase at the zen space is now published, so go and feast your eyes on some haiku, poetry, unusual writings, and strangely contrasting artwork.

M.

Are things moving again?

Yes. Maybe not so much on the writing front at present, but I hear encouraging noises on the publication front. What might it mean? Well don’t hold your breath, but:

  • My collection of short stories, The Last-but-one Samurai and other stories, is coming forward for publication.
  • My novel KWIREBOY vs VAMPIRE – sequel to From My Cold Undead Hand – is also coming forward. I hear that the earlier novel is to be re-launched and they are both to have an entirely new cover concept.
  • Possibly my first collection of poems from 2010, Naked in the Sea, will be re-issued.

All of this is up in the air at the moment, so…

graphic-watch-this-space

‘the zen space’ etc.

Hello. I know I’ve been quiet, but I haven’t actually been inactive. I have been posting my poetry regularly, for example. Also I’ve been keeping the zen space going – that’s the e-zine I edit – where you can read haiku and other short forms of poetry.

picasso-2The latest Showcase (Autumn 2018) was published a few days ago, and you find a portal to it it here. As well as words it includes picture; featured this time are portraits by Man Ray, the 20c surrealist photographer, like the one of Pablo Picasso, here to the right.

By the way, I’m always on the lookout for new ‘names’ for the zen space, so if you know anyone – yourself even – who can turn their hand to short, vivid, in-the-moment poetry, then direct them to the ‘Submission’ tab at the zen space.

I am still on sabbatical from novel writing. I don’t know when that will change. Certainly not before this mornings cup of Earl Grey, that’s for sure…

Sergeant Cuff names a rose ‘Catherine Earnshaw’

I had a CRAFT moment and clean forgot about the April issue of Jersey Devil Press (the May issue’s already out, as you would imagine!). I have a poem in that April issue, with the title Sergeant Cuff names a rose ‘Catherine Earnshaw’. It was originally intended for their ‘Victorian Mash-up’ issue, but the editors slipped it in ahead of that. Jersey Devil Press is notoriously difficult to get something accepted by, unless you hit precisely the right note for them, so I’m belatedly proud. This is the first time I have submitted a poem to a journal for about five years (I stopped while I was writing my collection I am not a fish and I never got started again), so I’m doubly pleased.

Check out the April issue here, and maybe keep an eye on JDP as a whole, as there’s always some good stuff in there.

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Farewell Iain Rossouw

I learned this morning of the death by violence of Iain Rossouw. Iain headed Honeymead Books, sister-house of my publisher P’kaboo. More can be read here on his wife Lyz’s blog. I don’t really know what to say – this is awful news.

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2016… 2017…

Wow, what a year for the world 2016 has been, with all the good guys checking out. Even the arguably worst person to die in 2016 was passionate about public health, public education, and anti-colonialism. I keep trying to stop myself hoping that if the carnage continues into 2017 we lose some of the bad guys too, but – hey! – I don’t like to indulge in that kind of Schadenfreude.

2017 is, as yet, an unwritten page. I do know that the Winter Words festival in Scotland has been shortened, so presumably the ‘Fearie Tales’ competition will be tougher. I have a story ready to go, as it happens.

In 2016, I suppose my major writing project was, in response to a request, to come up with a text for the ‘history’ of I Tamburisti di FIREnze for this year’s Burning Man (see previous news items here). I thought you would like to see how some of that turned out, so there follows some images of the Renaissance section of the book. Enjoy.

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Images are ©

How they brought the Good News from Ghent to Aix, or not, as the case may be.

“An attempt has recently been made on the life of Robert Browning.”
Reuters.

 

I sprang to the stirrup, and Joris, and he;
I galloped, Dirck galloped, we galloped all three;
We galloped and galloped, oh Lord how we galloped,
We galloped like billy-oh over the lea.

My steed gave a whinny, Dirck’s ass gave a bray,
As Joris, who rode in the van, cried “I say,
Three riders are galloping – My, how they gallop! –
They gallop like anything, heading this way!”

We held up our gauntlets and shouted halloo,
Demanded “Whence from, lads, and whither go you
Flat out at a gallop? Good grief how you gallop!
Oh please stop your galloping, good gallants, do!”

They reined to a halt and exclaimed, “Mercy sakes!
We’re three men of Ghent, all redoubtable rakes,
Who’ve galloped and galloped and jolly-well galloped,
a-bringing good news to the burghers of Aix!”

We cried, “We’re from Aachen – that’s Aix-la-Chapelle –
And we have glad tidings a-plenty as well.
We’ve galloped and galloped, right manfully galloped –
Supposed to reach Ghent by the Angelus bell!”

One rider from Ghent, with a beard like a Turk,
Said, “Though I’m not known as the fellow to shirk
A jolly good gallop – I love a good gallop –
It seems all this galloping’s double the work!”

I wanted to answer, but Joris said, “We
Could all turn around and be back home for tea.
Oh why don’t we gallop – a rattling gallop –
Let’s all gallop back and have several hours free!

We’ll take up each other’s work; nothing will daunt
The six jolly gallopers out on a jaunt.
Let’s gallop and gallop, mon dieu how we’ll gallop,
We three back to Aachen and you lot to Gaunt.”

I sprang to the stirrup; with whip-cracks and kicks
I galloped, Dirck galloped, we galloped all six!
We galloped and galloped, oh Lord how we galloped,
Past such rustic nonsense as hen-coops and ricks.

We galloped to Aix as the rush hour was near,
No thoughts in our minds save for pork pies and beer.
We galloped and slavered – my word how we slavered –
For pork pies and barmaids and lots of good cheer.

We reached a fine inn, and Dirck could not refuse
To galumph right in for a tray-load of booze.
He galumphed for wallop, for gallons of wallop,
And Joris said, “Hey! What about the good news?”

I muttered to Dirck, and then Joris conferred –
The subject? The substance? And so we concurred
We’d galloped and galloped, all bloody day galloped,
But of the good news had forgot every word!

I spoke to the subject: “We’ll gallop to Ghent
The very same way that the other chaps went.
We’ll gallop and gallop, bejabers we’ll gallop!”
But Dirck said, “You’re barmy – our horses are spent!”

I raised my pint Bierstein, and Joris said, “We
Can do that tomorrow. The evening’s still free
To swallow our wallop. Tomorrow we’ll gallop…
…to whatsitsname… billy-oh… over the lea!”

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I thought we could do with a reprise of the above piece of nonsense I wrote a few years ago. It will, of course, be lost on anyone who was never forced to read Robert Browning at School, and most of the population of America, who, if they have heard of Ghent, probably think it’s in Columbia County NY.

What have I been up to lately? Not a lot. My poetry blog ticks over, and I have recently written a couple of pieces for my satirical blog. One of the latter is yet another Keats and Chapman story, and the other a short but serious piece about Holocaust denial.

It will soon be 2017. I have no idea what next year will bring. I’m hoping to provide another macabre short story for the ‘Fearie Tales’ event at Pitlochry’s Winter Words Festival, but we’ll have to see. I can’t make any other writing promises, but I will say I’m hoping that my teen-vampire novel KWIREBOY vs VAMPIRE will be published. It was finished some time ago and, as I understand it, lacks only a cover design. If you missed the first novel to which KvsV is the sequel – From My Cold, Undead Hand – then now would be an excellent opportunity to read it, or even to buy someone the e-book as a Christmas present.

I Tamburisti di FIREnze – project now running!

12010699_1465307271.6343_funddescriptionI told you in my last news update here about my contribution to Camp Thump Thump’s presentation for Burning Man 2016 I Tamburisti di FIREnze. Well, it has grown arms and legs since then. The text has tripled and the story of the Guild – part fact, mostly fiction, and a little bit Time-Lord – has been brought up to the present day. The plan of the Project Coordinator is to adapt what I have written into a large, scrapbook-like record, to be put on display at the Guild’s mobile HQ on the Playa at this year’s Burning Man, so that people who drop in to the workshop can read it and marvel! I have to say I’m honoured.

Now, the essence of Burning Man is that things are given freely. The members of the Camp Thump Thump team give up their time, energy, materials, and finished products entirely gratis, in the spirit of that BM ethos. But outside of Burning Man – in the world in which preparations are made – things cost money. I wish they didn’t, I wish that everything in the world wasn’t reduced to a commodity and that the Burning Man ethos would spread beyond its borders, but such a thing has yet to be. I live in hope.

This year the team will be doing their bit to spread that ethos beyond its borders by making and donating a dozen drums to a school on the ‘outside’.

Meanwhile, the team is obliged to raise money for transport, workshop construction, materials, etc., and are obliged therefore to ask for donations. If you would like to know more, please click on this link, watch the video, read the blurb, and see if you are able to make a cash donation. If you do nothing else, please help by spreading the word – reblog this item, put it out on social media, tell your friends over a cup of coffee.

I can’t get there myself, but it is so exciting for me to be a ‘remote’ part of the Camp Thump Thump team, helping to create I Tamburisti di FIREnze.

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