Marie Marshall

Author. Poet. Editor.

伏地魔

Beijing

Now, you can find the answer to this puzzle via a search engine, but it’s much more fun to guess. This piece of information comes to me via my agent, who is not so much a mine of information but a whole information fracking operation.

What well-known character in children’s fiction is known in Chinese as Fú Dìmó? The characters literally mean ‘crouching’, ‘earth’, and ‘devil’, and the whole name could be translated as ‘demon crouching on the ground’. By the way, the picture above isn’t going to help you one bit!

After you have had your guess, feel free to put it below as a comment. But if you do look it up with a search engine, don’t enter that answer in the comment box – you’ll spoil the fun for everyone else!

I’ll post the right answer in due course.

We’d like to know a little bit about you for our files…

bestchicklit

Nikki Mason at BestChickLit.com followed up her review of Lupa by conducting an interview with me. Read it here.

Corner of Bourbon and Dumaine

clover-grill2

naked-in-the-sea-cover-2The corner of Bourbon and Dumaine in New Orleans is where you’ll find the famous Clover Grill. I’ve never been there, but then I’ve never been to Baku, Uppsala, Rome, or Harlem, and that hasn’t stopped me writing about those places, either realistically or as fantasy versions of themselves. ‘Plain Jane $3.99’ is one of my handful of New Orleans poems. It appeared in my first book of poetry, Naked in the Sea, which you can still buy. Just a couple of days ago a friend and fan, resident of New Orleans (and, I have to say, the person most responsible for making me write about her city) decided it would be cool to record herself and others reading my poetry aloud, and in particular the New Orleans poems. The first step was a recording of ‘Plain Jane 3.99’, which you can hear by clicking on either the street sign above, or the book cover to the left, or by following this link. There’s a smattering of adult language – you’ll have heard far worse – but if you like this recording, pass on the link, particularly if you’re in N’awlins or know someone who is. If and when any other poems become available I’ll let you know.

Meanwhile, I know you’re all wanting to know how the teen-vamp novel is coming. Patience. You’re also going to have to be patient about my second novel The Everywhen Angels, which is due out soon, and about The Phoenix rising from the Ashes (the anthology of sonnets for which I am Deputy Editor). I’ll let you know as soon as something happens. Meanwhile, how would you like the chance to get a free e-book copy of my first novel Lupa? The first step would be to enter the P’kaboo Facebook Share Contest and hopefully, having followed the instructions, to ‘Like’ my novel on Facebook. Go for it.

Reviews, vampires, and storybook witches…

"Yes, my name is Miss Smith. No I will NOT 'take a letter'!"

“Yes, my name is Miss Smith. No I will NOT ‘take a letter’!”

BestChickLitLogoBlast! I could do with a reliable secretary. It’s a funny old day. I feel as though I’ve only just sat down at the computer – in fact I logged on at about 5am and it’s nearly lunchtime. Thank heavens its a bank holiday! There has been a welter of tweets and emails, and a shed-load of stuff for me to deal with. The most pleasant was finding a review of my novel Lupa at BestChickLit, courtesy of Nikki Mason. It’s always gratifying to get exposure of this kind.

Another task today is dealing with my publisher’s editor, as we chip away at the imperfections in my second novel The Everywhen Angels, which is due for publication soon. We’re approaching the galley proof stage, and I can’t wait to see what the house artist will have dreamed up for the book jacket.

Meanwhile, what I am supposed to be doing is getting on with is my third novel, the vampire story. But it’s strange where research can take you when you’re doing something like this. I’ve been sidetracked by a chance reference in my research material (posh term for the rubbish I was scrabbling through on line) to one of my favourite anti-heroines of children’s literature, Miss Smith, ‘the wickedest witch in the world’. Before my pagan friends begin to complain about ‘negative stereotypes’ let me say two things: firstly, she’s fictional, and secondly she is far from stereotypical. Ever heard of a witch keeping toads in a fridge? Live toads? She sails blithely through four of Beverley Nichols’ novels, written between 1945 and 1971 on a tide of delicious malice, dressed like a Vogue model. Actually, delicious malice is just what I am looking for right now; an image has popped into my mind of a vampire bound to a dentist’s chair with ropes woven from fibres extracted from garlic plants, while someone forcibly removes its canines. And what about the next scene where its ‘Sire’ replaces them with a stainless steel pair? The thick plottens!

“Can you write a teen-vampire novel for us?”

03

If you scroll down through this blog section of my web site, clicking on the older posts as you go (a worthwhile exercise, by the way, as there is some interesting reading there), you’ll come across occasional news updates of whatever my ‘latest project’ happens to be. So what happens to them? Where are the finished products? In most cases they simply aren’t. Finished, I mean. Many of them are little better than ‘good ideas’. Other things get in the way – editorial work, judging a competition, work, food, sleep, and so on. Mainly they run out of steam, or I run out of commitment, and I know that is a personal flaw – ‘successful authors’ don’t have this flaw, if you believe their soundbites. But I feel every project was worth starting, just to see if it would work, just to see if it would carry me along.

Anyhow, now that my second novel, The Everywhen Angels, is about to be published, I have been wondering why it has been so hard to complete a third. And then I was asked “Can you write a teen-vampire novel for us?” That’s as near as damn-it a commission! My instant answer was “Yes. No. Maybe.”

To tackle this I would need to re-think my daily schedule. I have been lazy when it comes to writing. I don’t do what good writers are ‘supposed’ to do, which is to spend a fixed time each day writing. I would have to re-commit to that. I would have to shelve the two novels-in-progress that I have. That wouldn’t be shelving much, I have to confess, because they are in the doldrums anyway; but as I shelved one to write the other and now would be shelving both, well that wouldn’t do much for my confidence in finishing the third. I would have to start turning down requests for my editorial expertise; I wouldn’t be able to start any other projects, I would simply have to focus on this. Then the teen-vampire genre has been flogged as near to death as the undead can be, and is lying there waiting for a stake to be driven through its heart. Stephenie Meyer has seen to that. Is there anything left to say? Is there an unused plot? Is there an unexplored twist, an unusual angle? You can see why I said “Yes. No. Maybe.”

However, it just so happens that I have a pottle of notes, fragments, poems, and short stories about a vampire hunter. Could something be reconstructed from these shards? Let’s see if I can bang a stake in without hitting my thumb, or anyone else’s…

‘My life as a coble’, and other things

poetry life & times2

Poetry Life & Times has published a poem of mine, ‘My life as a coble’. You can read it here. A coble, by the way, is a clinker-built boat common to the east coast of the UK, particularly Yorkshire; its construction is thought to come down directly from the techniques used to build Viking longships.

Meanwhile, P’kaboo Publishers have taken on my second novel, The Everywhen Angels. More news later, including some possible promotional events.

StAnza Poetry Festival: I’m on the ‘Digital Slam’ shortlist!

stanza_tw_header

The podcast of my poem ‘O great maritime bears’ (actually written in imitation of Lisa Jarnot’s ‘Ye white antarctic birds’ and originally featured in qarrtsiluni e-zine) has made it through to the shortlist of the ‘Digital Slam’ competition at StAnza. StAnza is Scotland’s premier poetry festival, and is held in the ancient burgh of St Andrews. The winner is decided by votes cast by visitors to the StAnza blog. For me, it’s gratifying to get as far as the shortlist; of course I have to say that there’s some fine entries by other shortlisted poets, some of whom have submitted YouTube clips and so on, but if you would like cast a vote for me, that would be greatly appreciated.

Vote

Naboland and Pittenweem

Glenshee - Winter, © Kirstie Behrens

Glenshee – Winter, © Kirstie Behrens

Are you planning to go to Pittenweem Arts festival (3rd to 11th August)? If so, be sure to visit Venue 33, 7 Calman’s Wynd, where you will find the art of Reinhard Behrens, Margaret L Smyth, Kirstie Behrens, and David Behrens. This family group of artists grows in strength year by year, as the younger members hone their skills.

© Reinhard Behrens

© Reinhard Behrens

Reinhard Behrens is the creator of Naboland, where thrown-away objects find a new life, and a toy submarine voyages in and out of an almost-but-not-quite parallel world. One of Reinhard’s finds, the remains of a teddy bear, inspired me to write a prose poem – had the bear been dropped by a certain creation of Mary Shelley as he sped across the Arctic ice in search of his monstrous creation? I dared think so…

© Marie Marshall

© Marie Marshall

(c) Reinhard Behrens

© Reinhard Behrens

 

Aval-Ballan Poetry Competition and other news

Just letting you all know that the results of the Aval-Ballan Poetry Competition are now published. You can see them here.

I don’t know if any of you out there has been involved in judging a poetry competition. It’s not as easy as it sounds, even for a poetry editor like myself. Differentiating between the poems in a long list of about one hundred with a view to making them into a shortlist of thirty is hard enough. Whittling that shortlist to twelve winners is damn tough, particularly as it involves negotiating with other judges. Picking a winner from that short-shortlist is almost impossible, particularly when, as I said when asked, “I can’t get a ciggie paper between the first five or so”.

Having made a decision I then sat back and began to feel like a poet. I have had a lot of poetry published, and even more poetry rejected by publishers – that’s the way it goes. Nothing is going to stop the unsuccessful entrants from being disappointed. Nevertheless I wouldn’t have missed this opportunity for the world.

__________

Atlantean Publishing were kind enough to carry a notice in the  July issue of their newsletter, The Supplement, advertising my 2013 collection I am not a fish. The notice also included one of the shorter poems in the collection…

Mr Coelacanth’s nightmare

Mr Coelacanth’s recurring nightmare
is that he is before a committee of hungry cats
who ask him the question, Are you now,
or have you ever been, a fish?

Never, he replies,
trying not to speak in bubbles,
trying hard not to let words
like gill and dorsal enter his mind

simon-williams-150x150Some of my other poetry from this book was featured at the ‘Oversteps Day‘,  Saturday 13th July, at Dartington Ways With Words Festival, read by Simon Williams, as part of the ‘A toast to absent friends’ event. Thanks, Simon, for ‘charming’ the audience on my behalf – much appreciated.

Mabel’s Fables: ‘The Three Blind Men and the Elephant’

elephant fable

Little one, many folk tell the tale of the three blind men who, unaware of each other, came upon the same elephant.

The first blind man, putting out his hands to feel his way, touched the elephant’s mighty trunk, feeling it flex and move, as though it had a life independent. He took it for a great snake.

“Surely,” he thought, “This is the greatest, most magnificent snake ever!”

The second blind man bumped into one of the elephant’s legs and, putting out his arms to try and encompass it, was certain that he had found the bole of a tall tree.

“Surely,” he thought, “There is no tree in all the world like this!”

The third blind man felt the elephant’s tail brush his face, and when he caught it in his hand, he was convinced that it was part of a gigantic vine.

“Surely,” he thought, “A man could live in the shade of this vine and want for nothing.”

Now folk who tell this tale, little one, usually stop at that point, and say it proves that in matters of faith and belief, all men perceive a little bit of the truth, never all of it. But they are not wise, little one, for the tale does not stop there. It goes on…

The first blind man became devoted to his notion of a snake, and began to worship it, singing and chanting.

“O divine Serpent… O divine Serpent…”

The second blind man became devoted to his notion of a tree, and began also to worship it, singing and chanting.

“O ineffable Tree… O ineffable Tree…”

The third blind man became devoted to his notion of a vine, and began also to worship it, singing and chanting.

“O miraculous Vine… O miraculous Vine…”

Then they heard each other, and became angry.

“What fools these other two fellows are,” thought the first blind man. “This is neither a tree nor a vine, but the Holy Serpent!”

“What fools these other two fellows are,” thought the second blind man. “This is neither a snake nor a vine, but the Heavenly Tree!”

“What fools these other two fellows are,” thought the third blind man. “This is neither a snake nor a tree, but the… er… Divine… Vine!”

So they all began to sing and chant more loudly, in order to drown out each other’s voices; and soon there was cacophony.

“… ineffable Tree… divine Serpent… miraculous Vine…”

Then their anger blazed into fury, and they began to shout and scream at each other.

“Heretics!”

“Blasphemers!”

“Infidels!”

Now you are aware, little one, being the wisest of children yourself, that elephants are very patient animals. But even the patience of the most forbearing tusker wears very thin, when such a hullabaloo happens around his feet. For this elephant was perfectly certain in his own mind that he was neither snake, nor tree, nor vine, but an elephant. And indeed he was. Elephant through and through. Elephant right to the core of his being. He knew well enough that each of the blind men did not have some of the truth, part of the truth, or even a little bit of the truth. All three were totally, completely, utterly… wrong!

Eventually he could stand no more. He shook his trunk free of the first blind man’s hands, and trumpeted loudly in his ear.

“Ow!” said the first blind man, his head ringing. “No snake ever did that!”

Next the elephant lifted his leg, and trod on the toes of the second blind man.

“Ow!” yelled the second blind man. “No tree ever moved!”

Next the elephant – I’m afraid – evacuated on the third blind man, who was impudently tugging his tail.

“Ugh!” said the third blind man. “Those are neither grapes nor oranges!”

In that moment, when the elephant manifested himself to them, little one, all three were enlightened, and knew the true nature of what they had worshipped separately.

Little one, foolish though these blind men were, eventually they were enlightened. Not so, I fear, those story-tellers who stop short, and do not themselves wait for the elephant to manifest itself. You see, because our god or our gods are known to be greater than we are, it is often assumed that they are wider and more complicated than we can conceive.

But they might just be simpler, more straightforward.

Like an elephant, little one.

Now be patient. You might dream of an elephant.

Go to sleep.