Marie Marshall

Author. Poet. Editor.

Tag: fiction

Are you ready for the action to start?

FMCUH 500 banner

Got your stake? Got your garlic? Got your gun?

Gun? Hell yeah! Even vampires have constitutional rights, and if they’re armed we’re armed! Not too long now until P’kaboo Publishers release From My Cold, Undead Hand to the reading public. Will you be one of the first to get in on the action? As a taster, here’s a preview by P’kaboo’s Lyz Russo. And if you’re on Twitter, follow @ColdUndeadHand for updates.

__________

Something completely different now. Writer Angélique Jamail asked me to share a recommendation for a ‘summer read’ with the followers of her blog. I picked the bleak, pessimistic Nineteen Eighty-Four by George Orwell, just because I think it’s a book everyone should read. It’s the 2oth century’s greatest political satire, and you can read my essay/review here.

Seeing cover art take shape.

© Millie Ho

© Millie Ho

The wonderful thing about having cover art by Millie Ho is that it feels like a collaboration, it feels as though we are making something together, that the book and the cover artwork are a seamless whole. Hers is not the work of a hack cover-artist, but of someone who has read the book and understands what it’s driving at. This is one reason why I’m rather sorry that we had to abandon our attempt to turn From My Cold, Undead Hand into a graphic novel – but we both had other work to which we needed to give priority.

white thumb

© Millie Ho

Anyhow, here Millie has given us an insight into how the cover illustration evolved from a sketch to a finished piece of ‘noir’ artwork; it is fascinating to watch the video of the hand-drawn and computer-finished picture being executed. Exceptionally, Millie produced two completed works, one with a white background and one with a black. The black one fitted my vision for the cover perfectly. However, my publisher might go with other design, because of thumbnail issues, and put it on a coloured background – maybe red. We’ll have to see. Whatever is the case, I am grateful beyond words to Millie for her work, and I hope I have the opportunity to produce more writing that she will be able to illustrate in the future. By the way, as we did with The Everywhen Angels, after publication I hope to offer some free wallpapers based on the book cover. Wait and see what turns up!

Take a ten-count for the Blog Tour

Ten count

Click the pic for more information.

Look into my eyes!

look into my eyes

I’d like you to look into the eyes of Chevonne Kusnetsov. Chevonne’s a teenager from New York city, a few decades into the future, and when she’s not barging her way through street-gang members and a neo-goth cult of vampire-fans at school, she’s a ruthless, nighttime destroyer of vampires on the streets of the city. She has few friends at school – maybe only slightly nerdy E.J. and wannabe goth Di – and the cell of vampire-fighters she belongs to isn’t exactly an environment that fosters friendship. Vamps keep things too busy for that. Hers is a story of how, ultimately, if you’re young you’re shoved to the sidelines, you’re someone to whom things happen rather than someone who makes things happen, from the beginning when a mentor dies to the end when there’s an attack on a famous American landmark. As her story unfolds, Chevonne finds love, death, blood, and heartbreak; she fights vampires on a plane, witnesses a school massacre, and learns, from the story of a famous 19c vampire-hunter, how the contagion of the Undead spread from Europe to America.

meet chevonneAll this is in my new novel From My Cold, Undead Hand: Chevonne Kusnetsov vs the Sharp Teeth Krew. It’s due out soon, I’ll let you know when! It’s the first in a series of three novels, the second of which – KWIREBOY vs VAMPIRE – is already being written. The series is aimed at the teenage / young-adult readership, a niche readership I never planned to write for but somehow I ended up here. I’m not complaining, it’s fun. The sketches here are by Millie Ho, and are preliminary artwork for the cover. Millie has already provided the cover for The Everywhen Angels, my previous teen/YA novel; as you already know, as well as being an artist Millie is a writer with a wonderful way with words. She’s currently hard at work on a YA novel of her own. If you want to know more about her, click on either of the two images in this post.

Want to know where I got the title From My Cold, Undead Hand from? Well here’s Chevonne to tell you about an encounter on a rooftop:

I spin round. There’s a vamp – another one to its right – and it’s holding my kite by the pack strap. Meck! They look like teens, all gang colors and handanas – must have been sired pretty young. And they’re smiling. I hate it when they do that. I also hate it when they have gats. This one right in front of me has one of those neat little Saudi machine-pistols, and it’s pointing right at me. Y’know, I’ve seen the old movies, read the old books, and nobody ever thinks to arm a storybook vampire. Hunters come armed with swords and stakes, vampires come armed with teeth. Real life, real life now outside the books and the old films, is different. In real life vampires carry guns. This is America, after all, and the vamp facing me is exercising a Constitutional right.

Stay tuned!

Of sequels, threequels, and w.h.y.

w.h.y. banner

Just when I thought I had enough balls in the air, someone throws me another one. Instead of dropping them all, running, and hiding, I catch it and add it to the juggling act. Okay, last time I reported in, I was doing the final edit of From My Cold, Undead Hand, progressing the sequel KWIREBOY vs VAMPIRE, finishing two short stories – ‘Gravity’ and ‘The Warlock’s Hat’ – for a competition, and contacting a Ukrainian university about Vera Rich’s translations of Ivan Franko’s poetry.

Well, it all seemed manageable. I now have the finalised manuscript of From My Cold, Undead Hand here. It will ready for publication as soon as we have cover artwork and layout. I return to KWIREBOY vs VAMPIRE as often as I can. The short stories have had their final edit, which involved opening up the sealed envelope I was about to mail them in. I have been looking at Vera Rich’s translation of ‘Death of Cain’, comparing it to an earlier translation by the Rev Perceval Cundy, wondering why she rendered ‘город’ as ‘city’ and not ‘garden’ in the context of the poem, and surprising myself at my own cheek at questioning an expert! So, all balls describing a neat arc in the air above my head. Then I found another ball in my pocket – the threequel to From My Cold, Undead Hand (working title KLONE vs OVERLORD) – and added it to the juggled bunch, rather shakily at first, then it too joined the arc. Equilibrium.

Then blow me down! An idea casually tossed to me by a fellow writer exploded in my head, and suddenly I have a plan for a sequel to The Everywhen Angels. With the working title of Among the Grove of Stones (which readers will recognise as a line from an extempore poem in the first book), it will tell the story of Connor Shaw, King Shaw’s nephew, and of how Ashe Sobiecki went missing, of what had been happening to the tulpas of dead Angels as they tried to pass through one last, forbidden door at the moment of death, and of why Angela and the other Unified Angels feel disturbances in the flow that even they can’t control. All of a sudden my control on all the juggled balls is becoming unsteady. I’m hoping I can prioritise and get everything in some semblance of equilibrium again by autumn, and then maybe I will be able to concentrate on finishing one of these jobs at a time.

I think I’m addicted to writing. My hits keep getting bigger.

#amwriting

From My Cold, Undead Hand reached an exciting stage today, as I received the manuscript back from its first professional edit. Progress continues on the sequel, KWIREBOY vs VAMPIRE. In other news, I have just finished two short stories – ‘The Warlock’s Hat’ and ‘Gravity’ – as entries for the William Soutar Writing Prize. They have two entirely different settings, Dundee and South Africa, and are written in two entirely different styles. Let’s see how they fare. And I have written to the Ivan Franko National University of L’viv in the Ukraine, asking if I may have access to more of Vera Rich’s neglected translations. Watch this space.

Vampires lurk in a future NY, murderers lurk in the Bayous…

© Millie Ho

© Millie Ho

I hesitated to share some of Millie Ho’s preliminary work on the graphic version of From My Cold, Undead Hand, featuring teenage vampire-hunter Chevonne Kusnetsov, because this is as far as we got with the project. It would be doable if we both had unlimited time and no other projects on the go. However, I agreed with Millie when she said that she should concentrate on her own immediate work, and I promptly took my cue from that and dived back into my own. Nevertheless, you’ll all be pleased to know that she has agreed to produce the cover for the text and e-versions of the novel.

© Millie Ho

© Millie Ho

Meanwhile the editing process has begun. The manuscript is with my publisher’s editor, and his eagle eye has already found an obvious typo on the first page! Chevonne is surprised at that, as you can see, but it shows that the process works. I can recommend it to any fellow authors who are thinking of submitting a manuscript, by the way. It might be costly without a publishing deal, but your submission will be more polished.

Another ‘meanwhile’ – I am busy writing the sequel, provisionally titled KWIREBOY vs VAMPIRE, upper case deliberate. I know where it starts – it starts with a 1960s-style beach party for vampire surfers. I know where it ends – in a devastated DC in the depths of a dark nuclear winter. I know a lot of the middle – blood is drunk, flesh is eaten, there is madness, there is a death cult, there is good, clean fun. How the story weaves from place to place is up to my characters. I allow them to live. Well, apart from the vampires who aren’t really ‘alive’ as such, but you know what I mean.

Watch this space, then, for more vampiric newsgrabs. It’ll be totally swagger!

Yet another ‘meanwhile’. Watch out for Hagridden, a novel set at the periphery of the American Civil War – a dangerous and murderous place to be, where escape from the battle does not necessarily mean an escape from the killing. It’s written by Sam Snoek-Brown, whom regular visitors to this web site will know is a contemporary American author whose writing I admire. There’s not long to wait for this novel, as it is due for launch in August of this year. Reminders here and here.

Robin Hood and the Bishop of Hereford

Robin Hood and the Bishop of Hereford

Robin Hood and the Bishop of Hereford,

A story for May Day *

 

It happened that on the first day of May the Lord Bishop of Hereford was riding through the Great Greenwood that once covered most of England, on his way from the Abbey of St Hilda in Whitby to his own city of Hereford. Against the advice of the Abbot of Whitby, he was riding alone, for the Bishop was a man of great stature and courage and feared no man. “Besides,” he had said to the abbot, “who would waylay a man of the Church?”

As the Lord Bishop rode through the forest, looking around at the fresh, spring leaves on the oaks, the ashes, and the bonny rowans, and listening to the chaffinches giving their celebratory spring call and the jays laughing at them from deep in the trees, he too was filled with joy, and broke into a chant, in the manner of St Gregory.

Te Deum laudamus,” he sang, in his great baritone. “Te Dominum confitemur…” and the birds seemed to increase their trilling and laughing in friendly rivalry with him. Here, where the forest was at its deepest and greenest, and the track wound in between the oak boles, he felt was a place of goodness, where no harm could come to anyone, and if anywhere was a remnant of the blessed Garden of Eden, then this corner of England was it.

“Hold!” cried a voice, of a sudden. The Bishop broke off his song, looked down, and saw that he was surrounded by men in Lincoln Green, one of whom – a bold, smiling villain in a feathered cap – held fast his palfrey’s bridle. All brandished stout longbows with arrows nocked, some of which were pointed at him.

“Who are you men who roughly and rudely interrupt my praises to the Almighty, prevent my travel, and disturb this blessed Spring day?” cried the Bishop. “And especially, who art thou, grinning in thy beard? Yes, thou, the knave with the pheasant’s tail in his bonnet, who hast laid hands on my horse.”

This man, who appeared to be the leader of the troop, let go of the bridle, showed the palm of his hand to be clear of it.

“Upon your parole, then, my Lord Bishop,” he said. Then, sweeping his cap from his head, he bowed low and made a respectful leg to the prelate. “I am known in these parts as Robin Hood, and these honest churls, on whose behalf I beg your pardon for the interruption to your journey, are my friends and fellow Foresters. We collect the toll from travellers who pass this way.”

“Never let it be said that I refused to render unto Caesar that which is Caesar’s,” said the Bishop. “How much is the toll?”

“Half of all you carry,” said Robin, “and an hour or so of your time to dine with us.”

The Bishop’s eyes opened wide. “I am a humble priest!” he protested, “but even half of what I carry is too much to ask, surely?”

“Your fine garments, your riding-horse, the ring on your finger, and the heavy pouch at your belt would all say that you are far from humble, My Lord Bishop. Besides, it is much less of an impost than some of my men here have had to pay, having lost all they ever possessed.”

Now the Bishop, large and fearless though he was and capable of standing a round of buffets with any man, was kindly at heart. He had heard of how the outlaws of Sherwood, once they had sufficient to keep themselves fed, would distribute the bulk of their pelf to the poor, and he himself was cognizant of the virtue of St Martin. He recalled the story of how the saint, while still a soldier and a worldly man, had freely cut his paenula in two and given half to a shivering beggar who – as it was revealed to him in a dream – was Christ in disguise. Well, the man with the feathered cap was no Christ, any more than the others of the green-clad band were Apostles, so the Bishop was of a mind to have some sport with them.

“I doubt me, Sirrah, that thou art truly Robin Hood,” he said. “And if thou art not, what is to prevent another band of robbers stopping me a mile hence with their own claim to be the Merry Men of Sherwood, then another band a mile further, then another and another, each taking half, until I am left with a groat, half a cassock, half a cloak, and one shoe? I hear that Robin Hood and his followers are great archers. Lend me for one minute one of your longbows – let it be the worst you have – and I shall loose an arrow, shooting it as far as I can. If you can shoot further, and thou, Feathered-Cap Esquire, furthest, then I shall acknowledge that I am indeed in the presence of Robin Hood and his men, and I shall pay the forest-toll.”

With these words the Bishop leapt down from his horse and took hold of the bow of Much the Miller’s son, nocked an arrow to it, drew it, and let fly. The arrow’s flight was long, and it landed in a field beyond the trees. The Bishop handed the bow back to Much, who nocked a second arrow, drew back the bowstring, and with a grunt of effort shot it into the same field, but a little further than the Bishop’s. The Bishop clapped his hands.

“Excellent bowmanship for such a young lad!” he exclaimed, and then pointed at Will Scatlock. “Now this fellow!”

Will drew back his bowstring and shot an arrow into the next field, to the Bishop’s delight. Each of the band had his turn, each shooting further and further, until it was the turn of the tall, powerful John Little. With his mighty arms he drew back his bow and loosed an arrow that went two fields further than the last man’s.

“Thou giant!” cried the Bishop, even though he was of a height with John Little. “I’ll wager no one can best that!”

Robin Hood stepped forward. He was no match for his great lieutenant in height and strength, but his skill was such that he knew well how to make the most of a longbow. He took his bow, nocked an arrow, drew, elevated the bow with exactness and, having waited for the wind to die a little, let fly. The arrow went a prodigious distance and landed one field further than John Little’s. The Bishop clapped and cheered, and then bowed to Robin, addressing him politely.

“You are indeed Robin Hood!” he said. “That I freely acknowledge.”

“Then pay the toll, my Lord Bishop,” said Robin. “That was the wager.” But the Bishop mounted his horse again and raised an eyebrow in a pretence of haughtiness.

“Who is to stop me? All your arrows are spent!”

Robin saw that the Bishop had bettered him, and he threw back his head and laughed. Then he bowed again.

“Well won, Well won! The freedom of the forest track is yours. Pass onwards free of toll, for you have taught us all a lesson today, and that is worth more than any toll.”

But the Bishop did not spur his horse. “I am determined to be magnanimous in victory,” he said. “These lands hereabouts are mine, and the field where the lad’s arrow landed I shall give to him, and it shall be known as ‘Miller’s Field’. The next, where Scatlock’s arrow landed, shall be his and shall be called ‘Will Scatlock’s Field’. And there shall be ‘John Little’s Field’, and ‘Robin’s Field’, and a field for all of you.” And this offer was a true one, because the Bishop was not only a priest but also a great holder of land in his own right, being of the line of one of the Conqueror’s barons.

“Alas,” said Robin, shaking his head, “ this cannot be, for we are outlaws and forbidden to hold land.”

“Some say, however, that you are heir to the Manor of Locksley.”

“Aye, and others that I am the son of the Earl of Huntingdon, and others still that I am a Knight of the Cross of St John. But the law is the law, and we are outside it,” said Robin.

The Bishop dismounted again and clasped Robin’s hand.

“Then your lineage,” he said, smiling, “matters nothing to me. We shall halve the contents of my purse. Now, I believe there was some mention of dining – dare I expect venison?”

Thus the Bishop of Hereford came to feast in Sherwood, and a merry May Day was had by all. The Bishop counted over half of the coins in his purse, as he had promised, and made sure he had at least his fair share of venison. He conversed in Latin with the good Friar Tuck, in French with Demoiselle Marianne who was Norman, and even in Arabic and Greek with ibn Hassan, Robin’s hostage-become-friend. At the end of the feast he went on his way with many a wave and a Pax Vobiscum.

From that day, in all the diocese of Hereford, no church from the Cathedral itself to the lowliest chapel would refuse sanctuary to any man dressed in Lincoln Green; and every May Day was a holiday amongst the outlaws, and in their feasting they never forgot to toast the Bishop of Hereford, the only man ever to get the better of bold Robin Hood.

__________

* In most of the Robin Hood folk-tales, the Bishop of Hereford is portrayed as an enemy of Robin and the outlaws. In this particular tale, which is based on a story I heard from a teacher when I was a little girl, the Bishop is a good character. This tale is retold just for fun, without any pretended literary merit – whoever heard of a folk tale having literary merit, for heaven’s sake!

Taxonomy Domine

dogcat1

It’s funny how my own mind works, never mind anyone else’s. When I was invited to read Michel Foucault’s The Order of Things, basically a study of how our assumptions about the way we think do not depend on a continuous, recognisable rationalism, and that all periods of history have possessed certain underlying epistemological assumptions that determined what was acceptable as, for example, scientific discourse, I didn’t know how many harmonic strings would be plucked in my own mind.

In the Preface to the book, Foucault cites a piece by Jorge Luis Borges in which Borges pretends to have found in ‘a certain Chinese encyclopaedia’ a classification of animals into the following categories:

a) belonging to the Emperor, b) embalmed, c) tame, d) sucking pigs, e) sirens, f) fabulous, g) stray dogs, h) included in the present classification, i) frenzied, j) innumerable, k) drawn with a very fine camelhair brush, l) et cetera, m) having just broken the water pitcher, n) that from a long way off look like flies.

This taxonomy is, of course, fictitious and there is no such encyclopaedia – totally in keeping for Borges’s love of literary hoaxes, and his ‘magic realism’ – and Foucault knows it is. However that doesn’t stop critics of post-modern thinkers – critics such as Keith Windschuttle – from accusing them of ‘murdering our past’, on the basis that a few lazy post-modern thinkers don’t realise Borges was joking. Hmm… aye, right.

Anyhow, it got me thinking about how we decide to list things. Does the way we define an animal, for example – by phylum, class, order, family, genus, species – have any objective basis, or is it a product of human perception? No-brainer? Well that’s the point! Take the images at the head of this piece. How would you split them up, if you were asked to group together two that were most alike? This isn’t a trick question, there isn’t a right or wrong answer. Maybe before you read the all the foregoing you were already sorting them in your mind. It could have been by biological family (two dogs, one cat), but it could equally have been by mood (two placid, one angry), by direction (two looking right, one left), or by the chromatic value of the images (two monochrome, one coloured). There might be other influencing factors, such as the pre-existing order of the images along the conventional left-to-right reading path, so would there be any difference in your sorting process if I changed the order?

dogcat2

How about size?

dogcat3

Or if I inverted one of the images?

dogcat4

Perhaps if you now went back to the first set of images you would split them up differently. Like I said, there are no right or wrong answers here.

Why do I mention all this? Well it’s because, as a poet and author, I like to play around with meaning, beating the use to which we put words into a new shape which, even though it might be battered by my hammer, makes a reader sit up and take interest. I like to play with perception and challenge what we think we see. Some people like to see science as the final frontier, but for me it’s human consciousness, our perception, and the shifting ground on which it stands. Yes, there is an objective reality out there – let’s face it, we have to move beyond solipsism to be able to survive – but it ain’t necessarily what we think it is. Maybe not, anyhow.

Order ‘The Everywhen Angels’ at Waterstones

ref=sr_1_1Readers in the UK can now order a copy of The Everywhen Angels at their local Waterstones. It might not be on the shelves, so ask at the desk and they will get it in for you. My first novel Lupa can also be ordered from there.

I’m always interested to see reviews on Goodreads and Amazon, should you wish to volunteer one. However if you don’t have the time to write a review, please feel free to drop me an email or a comment below – a line of appreciation or recommendation from a reader is always welcome.