Marie Marshall

Author. Poet. Editor.

Tag: news

Order ‘The Everywhen Angels’ at Waterstones

ref=sr_1_1Readers in the UK can now order a copy of The Everywhen Angels at their local Waterstones. It might not be on the shelves, so ask at the desk and they will get it in for you. My first novel Lupa can also be ordered from there.

I’m always interested to see reviews on Goodreads and Amazon, should you wish to volunteer one. However if you don’t have the time to write a review, please feel free to drop me an email or a comment below – a line of appreciation or recommendation from a reader is always welcome.

‘Milk of Female Kindness’ launched in Australia

Kasia James addressing visitors to the launch.

Kasia James addressing visitors to the launch.

Lovely pictures from the other side of the world (as I look at it) from the Australian launch of the anthology The Milk of Female Kindness. You may recall this collection is the brainchild of Kasia James (pictured opposite); Kasia was kind enough to include some poetry that I wrote especially for the collection, and to ask me for some editorial consultancy. The theme of the anthology is Motherhood – the title is a quotation from Virginia Woolf’s Orlando, by the way – and it contains the prose and poetry of contemporary women writers from round the world.

The launch was held at Abbotsford Convent, Melbourne, Australia. This is an important cultural centre, hosting all kinds of events. The launch took place on 24th March – it seems strange, from my point of view, typing ‘took’ because that day is only just dawning here; of course in the Antipodes, as I write this, the day is coming to an end. Or is it? I get confused!

Anyhow, here are some pictures from the launch (c) Kasia James – there was food too, and a colouring table for kids. You’ll also see the table showing other works by contributors. If you want to read a quick review of the anthology, go here. I might have mentioned this before, but I am very pleased and proud to be associated with this venture, and I’m glad it is becoming successful.

A table full of milk...

A table full of milk…

An early visitor. Apparently attendance reached three figures.

An early visitor. Apparently attendance reached three figures.

Interest in the 'Other Work by Contributors' table.

Interest in the ‘Other works by Contributors’ table.

Amongst the material on this table you can spot my book 'I am not a fish', plus fliers fro 'Lupa' and 'The Everywhen Angels'.

Amongst the material on this table you can spot my book ‘I am not a fish’, plus fliers for ‘Lupa’ and ‘The Everywhen Angels’.

Book-signing.

Book-signing.

 

Fearie Tales 2014

© Bookseeker Agency

© Bookseeker Agency

Last night, battling my agoraphobia, I made it for the first time to the final event of the 2014 Winter Words literary festival at Pitlochry Festival Theatre. This festival is the first in Scotland’s literary calendar, and each of five weekend evenings is rounded off with a couple of macabre short stories –  winners of their annual ‘Fearie Tales’ competition. I made a point of being there because my short story Da Trow i’ da Waa – a chiller set in Shetland – was the climax of the evening, sending festival-goers away until next year with a shiver in their spines.

The regular readers are actors (man-in-black) Dougal Lee and (woman-in-grey) Helen Logan. Dougal is a big guy, and sometimes at a tense moment he seems to hunch over his lectern, and glower at the audience over his specs. Helen, who read my story, has eyes that glitter, and a grin of delight at every ghoulish detail.

Although I say it myself, I’ve had a pretty good run at ‘Fearie Tales’, and I’m not about to stop, either. I dare say I’ll submit entries as long as they run the contest. Here’s a run-down of my successful entires so far – might as well blow my trumpet a bit!

2008 – Chagrin – and old man remembering a demon lover.
2009 – Vae Victis – horror at Rome’s northernmost outpost.
2010 – The Place of Safety – a tale of love, magic, and insanity.
2013 – On the Platform – a haunted railway station.
2014 – Da Trow i’ da Waa – old stones possessed.

The festival has some marvellous speakers and events, judging by the programme. Both the competition and the festival as a whole are well worth supporting and visiting if you can.

Something ghostly from Shetland…

Da Trow i' da Waa

… is coming to Pitlochry on 22nd February, in the shape of my short story Da Trow i’ da Waa. It will be rounding off the prizewinning stories of this year’s ‘Fearie Tales’ competition at the Winter Words literary festival – the first of Scotland’s literary season – at the Pitlochry Festival Theatre. ‘Trow’ is a word which has survived from Shetland’s Nordic past into its modern tongue (which is maybe less than a language, maybe more than a dialect, not unlike Lowland Scots), and it is roughly equivalent to the Scandinavian ‘troll’. My story is all about what happens to an author with writer’s block, who takes a cottage on the remote island of Yell, in Scotland’s most northerly archipelago.

The story will be read to an audience by Scottish actor Helen Logan. Just checking out the events for the rest of the Festival week, you could say I was on the same bill as Sir Chris Bonington, Mike McCartney, Sally Magnusson, and Neil Oliver! Here you can watch a short video about the festival and the venue.

My YA novel ‘The Everywhen Angels’ – more news

41aYN0pMq2L._SY344_BO1,204,203,200_My novel aimed at young adults and older children – The Everywhen Angels – is now available internationally atAmazon, in paperback and Kindle formats. Will you be the first to review it, I wonder? I’m looking for reviews for Amazon and Goodreads.

‘The Everywhen Angels’ reviewed.

angel eyes

The Everywhen Angels reviewed by Nikki Mason in the YA section at BestChickLit.com. Click here.

A couple of nice things people said about me in 2013

“… an intellectual and creative juggernaut, with a rare combination of self-awareness and self-actualization…”

“… the Queen of Wow…”

(Just saying)

M.

How Millie’s cover art came to be…

© Millie Ho

© Millie Ho

Over on Millie Ho‘s site she shares a few insights into the process of creating the cover illustration for The Everywhen Angels. Please do visit and show your appreciation.

‘The Everywhen Angels’ is now published!

My second novel, The Everywhen Angels, is now published!

Image © Millie Ho

Image © Millie Ho

It has taken some time for me to realise this particular ambition, but at last my second novel – my first specifically written for younger readers – is now published. It’s available in eBook format direct from the publisher at present, but as soon as it becomes available elsewhere I’ll let you all know. The timing is pretty good, as you can buy it to top up someone’s electronic stocking this Christmas.

A few years ago I was having a lively discussion with a bunch of on-line friends who were all devoted fans of a certain Scottish author and her growing series of books about a boy-wizard. I have to confess that I was being less than charitable, and the argument was getting circular (They’re not well-written – That’s because they’re for kids – But you’re reading them and you’re adults – That’s because they’re great! – But they’re not well-written…). Eventually they told me that as I styled myself an author, I should either write a fantasy set in a school and make it at least as good as one of my compatriot’s novels, or I should shut up. Well you know me, I don’t shut up that easily, so I buckled down and wrote the book. It was tried out on the thirteen-year-old daughter of a friend; the deal was that the daughter would do her homework and tidy her room, and the mum would read one chapter aloud to her every evening. Well, never has homework been so assiduously completed and never has a room been tidier. I realised I had a hit on my hands. The next task would be to convince a publisher.

The manuscript did the rounds. Head of Zeus showed interest in it but eventually declined it, at which point it was snapped up by P’kaboo, who had already published my first novel Lupa. Although P’kaboo is a comparatively small publisher, the feeling one gets from having a novel published commercially – twice! – is very pleasant. I’m not knocking successful self-publishing – that’s now an established thing with its own degree of satisfaction – but to be taken on by a publisher because they have faith in your writing does feel very special indeed. As regular readers here will know, the cover illustration was provided by Millie Ho. I’m hoping that this will mark the first of several collaborations with Millie, who is very gifted at putting ideas into images.

So what next for The Everywhen Angels? Well, of course we – P’kaboo and I – are hoping for sales. And of course I’m looking forward to reviews and to readers’ comments, from which I will quote here.

THUMBNAIL_IMAGESome more publication news came my way today. The Milk of Female Kindness is subtitled ‘An Anthology of Honest Motherhood’. Edited and published by Kasia James, it is a collection of prose and poetry on the subject of motherhood. The title is a quotation from Woolf’s Orlando. I’m pleased to say that I provided three poems for the anthology and also contributed a little ‘editorial consultancy’ work towards it. I have therefore had the opportunity to read through it already, and I have to say it is an exceptional collection. Some of the writers are known to me, most are not, and all have views on motherhood which do not necessarily reflect the image at first conjured up by the word. It is available on Createspace and I recommend it highly.

i-am-not-a-fish-cover-extractAlso today I was paying a visit to the excellent blog of San Snoek-Brown, and I found his list of recommended books for the coming holiday season. Sam has amassed a big haul of books by writers he knows, one way or another, and whose work he seems only too happy to draw to readers’ attention. My poetry collection from earlier this year, I am not a fish, is included in his list. Thank you, Sam!

It is no heavy obligation for me to reciprocate. As regular readers here will know, I’ve been raving about Sam’s fiction ever since I first came across it. So please accept my recommendation of his chapbook of short fiction Boxcutters, available from Sunnyoutside.

BoxCutters

The Song of Girls

public-domain-photo-of-3-girls

Today I received the latest issue of Rubies in the Darkness, a magazine of traditional, romantic, lyrical, and spiritually inspired poetry, and I was pleased to find that they had included a poem of mine. It’s one I wrote in 2008, when I was still flexing my formal muscles. The late Vera Rich had called for examples of a ‘Dyad’ – a double poem using the same end-words in each component. I replied with what was in effect, a ‘Sapphic ode’ in ‘mirror-dyad form’, which is to say the re-use of the end-words was reversed. Vera, I have to say, was not entirely convinced, although other readers were fascinated by what I had done. I shall reproduce it below for you. Just a couple of notes – a crummock is a staff with a gnarled or bent head, and is probably derived from the gaelic word cromag, and Aberdour is a town on the Fife coast in Scotland.

The Song of Girls

                        I

The song of girls each Sabbath day
belies the clock’s round, slow and dour,
and makes the moments flit away
across the moor

like dragonflies above the mire.
While sunlight shifts from tree to field,
the could-shade hides my heart’s desire –
I long to yield.

I am a slave to love and lust
who has no willingness to fight;
so lose I shall – if lost, I must
embrace by night!

                        II

I woke when last Shrove-Tuesday night
was still, and stale with rind and must;
and, half in sleep, I dared to fight
my wanderlust.

I’m harboured here. How can I yield
to what all travellers desire,
to stride with crummock far afield…
fresh lands admire?

My foot is now upon the moor,
the song of girls calls me away;
so step I down to Aberdour
to greet the day!

© Marie Marshall