Marie Marshall

Author. Poet. Editor.

Tag: poetry

‘Photography on wings’

Final Flyer

Photography on wings is the title of an exhibition, to be staged in Nottingham from 7th June to 31st July, of the photographs of Harminder Nagi. The photographs, all of winged creatures, will be accompanied by poetry by twenty international poets including myself. The exhibition is an extension of the book Continents Connect: poetry on wings which was published in 2012. If you’re anywhere near Nottingham between the dates mentioned above, please do make a point of going along to visit the exhibition. For those of you who can’t make it, here’s the poem I wrote for the book; it’s called ‘Eros and Psyche’, and I wrote it as though for Emily Dickinson.

I have your beauty safe in a box, ever since
I scotched my shoulder with a half-nocked arrow.
Sometimes I let it out to sit amongst the flowers
and drink; it settles until I shade it from the sun.

Things like this are made to delight us, I muse.
The cynic at my side shakes his head, quotes
a priori laws, says that the world is not about us.

The heart seeks pleasure first, I tell him firmly,
and I fall so deep in love with the phrase that
I etch it on my next arrow, drive that one deep
into the ambushed back of a poet, to her surprise.

The Phoenix rising is ‘a groundbreaking anthology’!

WLT header

The Phoenix Rising from the Ashes, Editor-in-Chief Richard Vallance (Deputy Editor, me), recently received an accolade from World Literature Today, the prestigious and internationally respected literary periodical published by the University of Oklahoma. The anthology was included in its ‘Nota Benes’ page for summer 2014, which contains editorial recommendations for books to read over the season. You can see their comments in the context of their selection here. Their assessment was as follows:

‘A groundbreaking anthology of poetry presented in six languages, The Phoenix Rising from the Ashes accomplishes a perfect revival of the sonnet. Divided into themes but without a formal table of contents, this artistically rendered collection provides readers with a sense of both choice and surprise. The 315 sonnets on display counter the popularly held notion that the sonnet is outmoded.’

Angélique Jamail at DFW Writers’ Conference

Below is a picture of Angélique Jamail at the recent DFW Writers’ Conference in Hurst, Texas, with a copy of The Milk of Female Kindness. The anthology, to which I contributed both poetry and some consulting editorship, was launched in Australia earlier this year. It is the ‘baby’ of Kasia James, and contains some wonderful pieces of writing about motherhood by a number of women from around the world. My own poems in the anthology are not available anywhere else, by the way.

image by Sarah Warburton

image by Sarah Warburton

Taxonomy Domine

dogcat1

It’s funny how my own mind works, never mind anyone else’s. When I was invited to read Michel Foucault’s The Order of Things, basically a study of how our assumptions about the way we think do not depend on a continuous, recognisable rationalism, and that all periods of history have possessed certain underlying epistemological assumptions that determined what was acceptable as, for example, scientific discourse, I didn’t know how many harmonic strings would be plucked in my own mind.

In the Preface to the book, Foucault cites a piece by Jorge Luis Borges in which Borges pretends to have found in ‘a certain Chinese encyclopaedia’ a classification of animals into the following categories:

a) belonging to the Emperor, b) embalmed, c) tame, d) sucking pigs, e) sirens, f) fabulous, g) stray dogs, h) included in the present classification, i) frenzied, j) innumerable, k) drawn with a very fine camelhair brush, l) et cetera, m) having just broken the water pitcher, n) that from a long way off look like flies.

This taxonomy is, of course, fictitious and there is no such encyclopaedia – totally in keeping for Borges’s love of literary hoaxes, and his ‘magic realism’ – and Foucault knows it is. However that doesn’t stop critics of post-modern thinkers – critics such as Keith Windschuttle – from accusing them of ‘murdering our past’, on the basis that a few lazy post-modern thinkers don’t realise Borges was joking. Hmm… aye, right.

Anyhow, it got me thinking about how we decide to list things. Does the way we define an animal, for example – by phylum, class, order, family, genus, species – have any objective basis, or is it a product of human perception? No-brainer? Well that’s the point! Take the images at the head of this piece. How would you split them up, if you were asked to group together two that were most alike? This isn’t a trick question, there isn’t a right or wrong answer. Maybe before you read the all the foregoing you were already sorting them in your mind. It could have been by biological family (two dogs, one cat), but it could equally have been by mood (two placid, one angry), by direction (two looking right, one left), or by the chromatic value of the images (two monochrome, one coloured). There might be other influencing factors, such as the pre-existing order of the images along the conventional left-to-right reading path, so would there be any difference in your sorting process if I changed the order?

dogcat2

How about size?

dogcat3

Or if I inverted one of the images?

dogcat4

Perhaps if you now went back to the first set of images you would split them up differently. Like I said, there are no right or wrong answers here.

Why do I mention all this? Well it’s because, as a poet and author, I like to play around with meaning, beating the use to which we put words into a new shape which, even though it might be battered by my hammer, makes a reader sit up and take interest. I like to play with perception and challenge what we think we see. Some people like to see science as the final frontier, but for me it’s human consciousness, our perception, and the shifting ground on which it stands. Yes, there is an objective reality out there – let’s face it, we have to move beyond solipsism to be able to survive – but it ain’t necessarily what we think it is. Maybe not, anyhow.

Dedication

Here is the dedication on the flyleaf of my personal copy of The Phoenix Rising from the Ashes. The ‘R’ is Richard Vallance, Editor-in-Chief.

© Bookseeker Agency

© Bookseeker Agency

Chewbaccalaureate!

cbcsheader

I have been asked to do some funny things in my time, but honouring the ‘Sacred Drunken Wookiee’ has to be one step beyond. Let me explain. Sort of.

I was recently approached by a member of the Intergalactic Krewe of Chewbacchus, which is a Mardi Gras parade organization from New Orleans, and asked to provide a series of short poems. The poems would be integrated into a number of ‘parade throws’ – items to give away to the street audience as the parade passes.

The Krewe consists (according to the person who commissioned me) of in excess of five hundred wonderfully nerdy ‘sci-fi geeks’, whose mission is to save the Galaxy… one drunken nerd at a time. Their parade theme is science fiction taken not-too-seriously, eco-friendliness taken slightly more seriously, and whooping-it-up taken in deadly earnest.

We’ll be producing the parade throws between now and February 2015, when the parade season begins in New Orleans. They’ll be in the form of little boxes, into which will be placed little pictures, gew-gaws, and found items, as well as a little baked-and-painted TARDIS. The outside of the box will be decorated as a TARDIS, and the idea is either to inscribe my words on the back of the box, or include them in a little scroll inside. Whichever, I get my name and © on each poem.

It’s rather exciting knowing I’ll be part of next year’s Mardi Gras in New Orleans, if even by remote control. It’s not my first remote connection with that city, as not only were several poems in my first collection, Naked in the Sea, inspired by what I knew of it, but also another poem was inscribed on an African drum which is now on display at the New Orleans Museum of Art. Not bad for someone frae Dundee…

cbcsmain

A folk song from Inner Mongolia*

inner mongolia

*Free rendering of 'Pastoral Song' by Xixian Qu. Marie Marshall, 19th April 2014. Photo (detail), Wikimedia Commons.

*Free rendering of Pastoral Song by Xixian Qu.
Marie Marshall, 19th April 2014.
Photo (detail), Wikimedia Commons.

 

‘Le Phénix renaissant de ses cendres’ – critique par Thierry Guinhut.

‘At Jenners, Edinburgh’ (detail) © Paul Thompson

‘At Jenners, Edinburgh’ (detail) © Paul Thompson

For my Francophone readers, here is a review of the sonnet anthology The Phoenix Rising from the Ashes, of which I was Deputy Editor. The review is by Thierry Guinhut, a well-regarded reviewer in France. The image above is detailed from one which contributes to the visual layout of the anthology. Thierry’s review is glowing; most reviews have been good so far, with the exception of one ‘critic’ who seems to imagine some kind of Corsican vendetta exists between him and the Editor-in-Chief. The anthology is one of the many published items you can find under the ‘Works‘ tab on this web site.

Spring 2014 showcase at ‘the zen space’

moon-face-smilingThe Spring 2014 showcase at the zen space is now published, and can be seen here. the zen space is my little e-zine for haiku and related in-the-moment poetry. I’ve been editing publishing it since 2011, honing my editorial skills. If you have never visited before, please feel free. There are now eleven showcases to browse through.

 

Order ‘The Everywhen Angels’ at Waterstones

ref=sr_1_1Readers in the UK can now order a copy of The Everywhen Angels at their local Waterstones. It might not be on the shelves, so ask at the desk and they will get it in for you. My first novel Lupa can also be ordered from there.

I’m always interested to see reviews on Goodreads and Amazon, should you wish to volunteer one. However if you don’t have the time to write a review, please feel free to drop me an email or a comment below – a line of appreciation or recommendation from a reader is always welcome.