Marie Marshall

Author. Poet. Editor.

Category: writing

So, what are you doing if you’re not writing?

Apart from feeling guilty, you mean? No, seriously, that is an issue.

authoressWhen I think about it, my output over the past few years has been quite something. I have to remind myself that, since about 2005, apart from having finished four novels (three of which have been published and the other is with my publisher awaiting publication), having had at least two-hundred-and-fifty poems published in collections, anthologies, magazines, and e-zines, having written enough short stories to fill over two volumes, I have taken part for five years in a poem-a-day project. So why stop? Why stop that poem-a-day, and why halt progress on my latest novel after 20,000 words? Well, let me be clear about this – I needed a break, and believe me I’m feeling the benefit. Output had taken over from quality, and I was exhausted and frustrated.

So where does the guilt come from? I don’t know. Maybe from the little imp on my shoulder who keeps whispering to me, “You’re an ex-writer, that’s what you are! Now you’ve stopped, you’ll never start again.”

Maybe, in fact, it has to do with the continuing output of fellow-writers I respect. There they go, merrily taking part in NaNoWriMo and suchlike, galloping though the creation of a novel in a single month, filling their blogs with poetry, writing columns of advice for colleague-authors, posting their goals and how they have achieved them… I could go on line now and find, with ease, confident articles on the discipline and routine of writing, and below each I would find an almost endless roll of comments thanking the writer for his or her sage advice. And I would know that, try as I might, I couldn’t stick to anything like such a routine. I might manage it for a week… ten days…

And yet, there’s all my output. I must have had some impetus and discipline somewhere. You would think so. A colleague said my writing was ‘visceral’, meeting that it sprang from emotion, from feelings rather than thoughts. When I consider that such movements in art and writing as modernism, expressionism, and imagism have influenced me, I guess she could be right. Certainly when I set out to write something, with certain exceptions, I do not start out with the goal of reaching a goal. By that I mean that my work is seldom driven by the end, I do not start my novels, for example, with the resolution of the narrative already in my mind*. I describe such a practice a ‘male’ writing, by which I mean it is driven along by the desire to reach a single climax, to use a sexual analogy. It’s the authorial equivalent of ‘getting your end away’. And it is something that is so ingrained in our culture, that it is hard to counter, hard to offer any other way of doing things. As we say in Scotland, ‘it’s aye been’, or at least its ingrainedness gives that impression. Writers like Virginia Woolf showed us that it simply didn’t have to be so, it didn’t have to be the unwritten rule that we all revered like Holy Writ. Yet it lurches along still, like some kind of zombie. There, that’s today’s thought – ‘Zombie male writing’.

To me, there was so much left undone in modernism, as though they picked up the ball, ran with it, passed it to the next author, who just stood there and let it drop. I know, I know, my mixed metaphors are murder today…

Where was I? Oh yes – what have I been doing if not writing. Well, same as ever. Holding down a job, editing, playing my part in family routine, coping with physical and psychological conditions (my own and others’), reading, in fact all the things I was doing while I was writing. Y’know, I wonder where I found the time to write so much! So will I let all these mundane necessities fill the available time, will I become used to them, so used to them that I will one day forget to write, forget that I ever wrote? Well, let’s face it, one day we will all close our eyes on daylight and not simply forget what we were but lose the forgetting too. Life is about letting go. So it is, of course, possible that I will never write again, ever.

Possible, but improbable.

Despite the imp on my shoulder, I’m not an ex-writer. Hell, what am I doing right now if not writing? I haven’t stepped away from my work entirely. I jot stuff down, the odd word, the odd phrase, the odd idea. I go through my unpublished corpus to see if there is anything worth submitting to a poetry magazine**. Ideas on how to progress my novel – the one I’m half way through, the one I always wanted to write – keep circulating in my head. And anyway, competing with the guilt-imp is the wee wight on my other shoulder, telling me that if I don’t go back to writing someday soon, I’ll end up in that charming little beauty spot located, I’m told, near Harrisburg PA.

Near Harrisburg PA

Gonnae no dae that! Gonnae no!

__________

*Many writers claim not to do this, but frankly it’s what most of ‘em do!

**I haven’t submitted anything since about 2013, at which time I devoted all my energy to writing a collection specially for a publisher. The result was my prize-nominated I am not a fish.

Three Bubbles of Earth: A 221b Baker Street story

“We could, I suppose, form a detective agency of our own,” said Mrs. Norton to me, under circumstances I’ll come to eventually, I promise you.

And at the time I felt that maybe we could. I certainly regarded myself as somewhat qualified, having absorbed, by what I believe Dr. Watson would classify as ‘osmosis’, a fair amount from my famous tenant. More, in fact, than you would imagine. I have spent several years navigating both his order and his chaos, distinguishing the one from the other, and recognising the tracks and traces of one within the other. I know what is secreted where, and where to find reference to things. I know how he files newspaper clippings, and what his system of annotation means. It is amazing what can be gleaned during simple housekeeping activities. I am not merely the adjunct whom he calls his busy, biblical ‘Martha’, to be yelled for from the top of the stair when he wants a Scottish breakfast or his Dewar flask filled with coffee in the depth of the night. I am not ‘Mrs. Turner’, as he once absently called me. I am Elspeth Hudson – née Turnbull, and Effie to my friends – I am a widow, I am a woman used to standing on my own two feet, I am educated, I am a Scot, and 221b Baker Street, London NW, is my address, not his. He rents rooms here. if he omits ‘care of’ on his calling card, then he does so by his own presumption and without my permission. In fact everything he does in this house, and by sally from it, everything he says from here, is done and said on sufferance. The same applies to Dr. Watson, though he is much more affable and polite. Superficially, that is. If I am to be honest, both of them have a typical bachelor’s disregard for women. They don’t mean to have, it’s simply the way menfolk are bred up, and again to be honest I don’t hold it against them.

221b 5Let me give you a wee example of my qualification, just picked from the air as it may be. Last week there was a chapping at my door, and I answered it to a man asking, as they all do, to see Mr. Sherlock Holmes. I admitted him and conducted him upstairs. As I left him there with my famous tenant, I heard the usual rigmarole.

“I perceive that you a married man in sudden and unexpectedly straitened circumstances, and that you arrived here from Birmingham this morning by the ten-fifteen express.”

“Good Lord, Mr. Holmes! How can you possibly know that?”

“By simple observation and logical deduction. You see…” etcetera, etcetera.

All well and good, of course. Mr. Holmes was entirely correct in his deductions – I did not need to hover at the top of the stair to hear his reasoning – as I had come to much the same conclusion himself. The sudden and straitened circumstances were indicated by his wearing a jacket that was fashionable for men two summers previously, but which had had one button replaced that was not quite a match. I recognised the thrift of the button jar! His being married was obvious by the careful and regular way in which the replacement button had been sewn on, not with the cobbled-together stitching a man on his own would have used, nor with the delicacy and loving touch of a sweetheart, but with the honest practicality of a longer-time companion. There was nothing about him generally to suggest that he was a ‘mother’s boy’, and the touch was definitely companionable I’d say; and if you add to that the fact that he was past conventional courting days by a good five years or more, it was a fair shot that he was married. The deduction about his origin and arrival was as easy as pie; were his voice not enough, he had an early morning edition of a Birmingham newspaper sticking out of his jacket pocket, and there was only one train that could have borne him here at this time. I could have primed Mr. Holmes also, if I had cared to the following. That our visitor possibly had a sweet tooth, by the smell of peppermints on his breath and by the click-clack a couple of them made in the left-hand pooch of his overcoat as I hung it up; or more likely that he had been drinking, if the uneven weight of something, probably a flask, on the right hand side of his coat was anything to go by. That he had walked here via Manchester Square Gardens, by the evidence of an autumnal leaf, attached to one of his dickersons, from a tree that grew in that location, alone of all the neighbouring gardens. That this route to our – I mean my – front door meant that either he had little sense of direction, or more probably that he was distracted by the matter that had brought him here, and had mistaken the the direct route from the railway station. That his distraction might be confirmed by the obvious lack of attention he paid whilst crossing the road, as witnessed to by a distinct whiff of the leavings of a dray-horse on the same dickerson that bore the leaf. That he had either sustained an injury to one leg, or that the right was a little shorter than the left, which I gathered from the rhythm of his footfalls as he climbed the stairs behind me. I could even have hazarded that he was right-handed. How? By the fact that if he reached more often for his flask than he did for a sweetie, then the flask would be in the pooch reachable by his better hand. However, I didn’t add that to a prominent catalogue of his personals, as most people are right-handed, and that fact was not necessarily significant. Worth handing to the clerk of memory for filing, but that is all.

Women, you see, notice such things. it’s not a skill we have to learn. Maybe ‘osmosis’ is just so much bunkum. Or maybe Mr. Holmes learned from me, and not the other way round. Now that would be something notable!

Anyhow, this wasn’t what I wanted to tell you. I wanted to tell you what happened the last time Mary Watson – Mary Morstan as was – came to 221b Baker Street. I was in my pantry dealing with the items just delivered by the grocer’s boy, when I heard a ring at the doorbell. No doubt Dr. Watson, acting as Mr. Holmes’s amanuensis, would have called it an urgent ring. He has a way of transferring things, of personifying the thing acted upon as though it was the person acting upon it – you’ll have seen that, no doubt, in his published accounts of the menfolk’s adventures. It was a ring, I’ll say that much. I was, I admit, surprised to find Mary, Dr. Watson’s wife, standing there.

221b 1“Good morning, Mrs. Hudson,” she said, looking past me. “Is Mr. Holmes here? May I see him?”

“Good morning, Mrs. Watson,” I replied. “No, he’s not here just now.”

“Oh dear. Will he be back soon?”

“I’m afraid I’m not expecting him today. In fact I have no idea when he might return. He’s away on an investigation. You missed him by less than a day, by the way – he left last night. Did your husband not tell you?”

“No,” she said with a sigh, “John’s away too. He’s at a medical conference in Dublin. He never mentioned Mr. Holmes before he left.”

It is as I said. Both our menfolk, tenant and husband, have retained in their characters the best and the worst of bachelorhood, the worst being a slight disregard towards women. Well, I had Mrs. Watson into my own parlour – I did not presume to take her up to Mr. Holmes’s, and in any case mine is comfier, there are no hard angles, there is less clutter, there is no odour of stale tobacco, there is a gently-ticking clock that gives comfort with a soft chime at each hour, and my kettle and cups are nearby. It is an environment where it was easy for us, despite our twenty years’ difference in ages, to drop our titles and become Effie and Mary to each other. To each other, I stress, and not to you, however – for the remainder of this tale I shall write ‘Mrs. Watson’. There we sat over two cups of my strong tea and broached the Dundee cake I had baked the previous day, while she told me why she had come.

Please forgive me if I don’t dress it up in ribbons. Here it is in a nutshell:

She has a friend – no need to name her – who had recently lost her husband. Distraught by her bereavement, she had looked for solace in spiritualism, as so many people do. It was something for which Mrs. Watson herself had no time, and no more do I, and yet it was a trait, an interest, a belief that her good friend had always had, and which she therefore tolerated it out of affection. Mrs. Watson took some encouragement in the fact that her friend’s quest was leading nowhere, and that she might be able to find her own inward strength to come to terms with her bereavement, or at least to lean on a good friend rather than on mountebanks and strangers. However, just when her friend seemed to be on the point of giving up her visits to mediums and clairvoyants, she reported that she had found a new one.

221b 3“When I saw her,” said Mrs. Watson, “there was a gleam in her eye and a flush on her cheek. She was excited, overly so. There was something of the enthusiast in her manner. I became worried once more.”

“What can you tell me about this new medium?” I asked.

“Well, he goes by the name of Kuldip Singh Naga. Apart from his Indian name, bearing, and voice, there is nothing particularly strange about him. Nothing flamboyant, nothing melodramatic. He does not seem to be a showman of any kind.”

“You have met him?”

“Once. On the street. I was on my way round to see my friend, and I came across them. I gathered they had either met by chance, or he had been to her house and was now taking his leave. When I came up, she introduced him as ‘Swami Kuldip Singh’. I proffered my hand, and he seemed a little reluctant to take it at first. But when he did, he bowed slightly, and said he was delighted to make my acquaintance. He was dressed in a simple, dark grey suit that buttoned to his neck, and a turban. He had a servant with him who bowed too.”

“What else can you tell me about him?” I asked.

“Nothing much beyond what my friend told me. His consultations take place in a hired room near Sloane Square. The room is modestly furnished, there are no suggestive decorations or appurtenances, no crystal ball or other fetish. His method is simply to spend a few minutes talking to her – sometimes with his hand laid upon hers – relaying to her messages that he says are from her husband.”

“What is it that makes him convincing where the others are not?”

“Merely the depth and breadth of his knowledge about her late husband,” said Mrs. Watson, and hesitated.

“What is it that you are not telling me?” I asked.

“Well, two things. Firstly that a few weeks before his death, there was a suspicion that their house was broken into… no, nothing was stolen, in fact everything about the house seemed to have been left neat and tidy, neater than usual, especially in her husband’s study. His books and private papers. I suspect that whoever broke in could well have been garnering information about him, the kind of detail that the Swami gave back to her in his consultations.”

“And the second thing?”

“The second thing is this. He is no Indian. He is no Sikh. Oh, you know my background – my father was Indian Army – so I ought to know. His disguise is good, but not good enough. I took a look at him when he shook my hand, and I am certain he is not genuine. His servant, on the other hand, is genuine – a Punjabi Musalman, I’d say.”

“And of course,” I said, “what is really the point here, is this. Let’s say he is a fraud, and let’s say also it was he or his servant who broke into the house and carefully perused all those papers and so on. The question remains as to how they knew that your friend’s husband was about to die? Unless…”

She nodded vigorously. “Unless it was they who killed him!”

“How did he die?”

“A heart attack. But as John tells me, indeed as he knows from his cases with Mr. Holmes, it is easier to fake a cause of death than is popularly supposed; and as regards heart attacks, the foxglove is a common weed… Oh Effie, since that thought occurred to be I have never seen an obituary in the paper without wondering if ‘died peacefully in his sleep’ hides something else.”

“I could go up to Mr. Holmes’s room,” I said, “and look though his clippings in the hope that there might be some relevant obituaries; but I doubt if that will be of any practical use. Look, it seems to me that we already have the facts of the case, and there is no mystery to solve. The man is a fake, a murderer, and a mountebank. He breaks into houses, finds out information about the occupant, murders him in some clandestine way that does not have any apparent connection to the breaking-in, and then extracts money from his widow – yes?”

Mrs. Watson nodded.

Well, the upshot was that with both Mr. Holmes and Dr. Watson away, we decided to do some investigating of our own, and in fact to pay a visit on the Swami. Our premise was to be that, on her friend’s recommendation, Mary was to introduce me as a widowed acquaintance – which was true enough – wishing to hear from her departed husband. Our aim was simply to amass as much information as we could, maybe proof at the very least of his assumed identity. So the same afternoon saw us outside his hired room in Chelsea.

221b 4We knocked, the servant answered the door and stood there making no sign at all.

“We’re here to see Swami Kuldip Singh Naga,” said Mrs. Watson.

He did not let us in, but called over his shoulder, “Prabhu… loka ithe hana.”

“One moment,” came a soft voice from inside the room, and a few seconds later the Swami himself appeared, pulling his grey jacket on. “May I help you, ladies?”

Mrs. Watson reminded him that they had met briefly, once, and told him the story that we had agreed on, but still neither man stood aside to let us in. I had the impression that they were occupied and did not really wish to be disturbed.

“Could my friend Mrs. Hudson not consult you?” she asked.

“I regret not,” said the Swami, “I am not taking on any further clients. Please do excuse me.”

We turned to go, genuinely disappointed.

“Wait!” he said, and stepped outside, pulling the door to after him, looking hard into both our faces, and then suddenly seizing my hand.

“Forgive my presumption,” he said, looking directly at me. “There is nothing I can do for you. Your husband is at rest, and therefore beyond my reach. Only such souls who have not yet penetrated the final veil and have yet to rest are open to me. I’m truly sorry.”

We travelled back to Baker Street by cab. Once or twice I was convinced that we were being followed by another cab, and I wondered if the Swami or his servant was trailing us, but Baker Street itself was full of passing traffic, no cabs stopped nearby or even slowed down. In my parlour, Mrs. Watson and I held counsel. Although I’m no expert on the customs and costume of India, I agreed with her that the Swami must surely be a fake.

“Apart from anything else,” she said, “his servant was far too familiar with him, and spoke to him in rather simplistic Punjabi, as though to one who is not a native-speaker. I wonder who he is really?”

“I think I can find out,” I said, and went upstairs to Mr. Holmes’s lair. I found a sheet of paper and fed it into his Remington, typing the following:

My dear Lestrade.
Could you, with some dispatch, find out the name and any other details of the lessee of rooms on the third floor at 34 ___ Street, SW. Please reply to Baker Street.
SH

Chuckling at my own effrontery and hoping that the inspector would not suspect anything, I put it in an envelope addressed to Scotland Yard, and committed it to the evening collection at the nearest pillar box. Having done so I made up a bed for Mrs. Watson in one of my spare rooms, and prepared us some supper. Inspector Lestrade’s reply came by second post the following day. The body of it ran thus:

The name on the rental agreement for the rooms in SW appeared to be Eduard Sinkiewicz. However, the landlord shows the rent as having been paid up to yesterday and the room now vacant. Forwarding address not known, but effects were removed to a private repository under railway arches in ___ Street, Whitechapel. Is there anything in this for us? Let me know.

The way that Dr. Watson represents the Inspector in his published accounts usually has him lagging several steps behind Mr. Holmes, or arresting the wrong man, or following the irrelevant or misinterpreted evidence. In fact I have always found him to be a very shrewd and intelligent man, and the newspapers regularly print summaries of his cases – ones with which Mr. Holmes has no connection – which show great efficiency. He does allow Mr. Holmes to rattle him sometimes, and has to endure my tenant’s condescension to someone not quite at his level – that lets him down a little. But I have a great deal of regard for him, and this note, I think, shows why!

Mrs. Watson and I held counsel again, as to whether simply to hand everything we knew over to the Inspector, or to keep on with our own investigation. Our conclusion was that we did not have sufficient evidence yet, our certainty about the murder and deception being the extent of what we had. However, Whitechapel had an unsavoury reputation and was not the sort of place two women like us could easily visit. We were at a loss for a while how to move things forward. Then I recalled that Mr. Holmes occasionally used disguises during his investigations…

Well – nutshell time again – as gloaming turned to murk, and evening to night, we found ourselves walking briskly through the neighbourhood in question, dressed in the uniform of the Salvation Army. I know, I know, but it was the best idea I could come up with. We maintained as much of an upright and confident air as we could, and moved about entirely without molestation. I silently congratulated Salvationism for having built up such trust, and hoped that our escapade would not mar things for them in any way.

Nevertheless, once again I had the feeling we were being followed. It was only a feeling, there was no evidence to suggest it was anything more than that, but it unsettled me a little. So by the time we arrived at the railway arches, I have to say I was a wee bit jittery. We identified the private repository by the serial number painted on the door, and in what little light there was saw that it stood unlocked and ajar.

“It may well be that we are too late,” said Mrs. Watson.

“It may well be,” I said, “but there is only one way to find out.”

My grandmother used to say that the only way to overcome the jitters is to square your shoulders, think of Scotland, and step forward. That was advice I tried very hard to follow as I slipped between door and jamb, and into the total darkness of the repository. I have no idea how Mrs. Watson steeled herself, but she was close behind me.

“Did you bring a candle? Some matches?” she asked.

“Not I,” I answered. “What was that noise?”

“I’m not sure, but it sounded like a door shutting and a bolt sliding to.”

“How right you are! The earth hath bubbles as the water has, and these are of them!” said a soft voice, and at that moment a lantern was uncovered, allowing a yellowish light to shine up into the bearded face of the Swami. I looked over my shoulder, past Mrs. Watson’s anxious face, and I could make out that the Swami’s servant stood between us and the door. I emulated my grandmother once again.

“Kuldip Singh Naga,” I said, as confidently as I could. “Or should I say Mr. Eduard Sinkiewicz?”

“Very true, how clever of you,” said the now-exposed Swami. “I must say your having tracked us here so quickly, before we could make our way to the Cuxhaven steamer, fills me with admiration. As does your penetration of my disguise. I have carried this ad hoc identity through India, you realise, once as an agent of the Tsar of Russia, then as a freelance; from there I made my way across the near-East, and Europe, living by my wits. Now, thanks to your meddling, I am obliged to make my way back again…”

“Wits?” cried Mrs. Watson, stepping forward. “You’re a mountebank, a murderer, and a thief!”

“And you are Mrs. Mary Watson, wife of Dr. John Watson, partner in the investigations of Mr. Sherlock Holmes, to whom you…” he turned to me, “are housekeeper, Mrs. Elspeth Hudson. What! – you think I didn’t know who you were? Finding that out was easy. Finding things out is all part of my enterprise, as you well know.”

“How would it be if we allowed you to leave for the steamer?” I asked. I could feel Mrs. Watson begin to object, but she stifled her objection in response to an urgent touch from my hand.”

Allowed me. Hmm…” Sinkiewicz seemed to consider that.

“You could, as a gesture, let us have the sum you took from Mrs. Watson’s friend,” I ventured. He shook his head.

“On balance, I think it would be unwise to leave any loose threads here. I’m sorry,” he said. Then he turned towards his servant and barked an order. “Nasir – jaladi, mara!

The servant pulled a dirk from his belt, but before he could move towards us the repository door gave way with a loud crash, swinging inward and knocking the him off his feet. A figure, coated and muffled burst in. Finding his feet again, the Punjabi made to throw his dirk, but the newcomer was faster, pulling something from a coat pocket – a revolver! – and there was a simultaneous flash and bang. The lantern was covered again, and I felt someone push past me and rush into the night. By the time the lantern was found and uncovered, Sinkiewicz was gone. But the Punjabi servant lay dead on the ground.

Mrs. Watson and I looked at the newcomer, now unwinding a muffler, to reveal a smiling face that was familiar to me.

“Good grief!” I exclaimed, “Mrs. Norton!”

“Good evening Mrs. Hudson,” said our dea ex machina, throwing her revolver down next to the dead Punjabi. “It’s good to see you again. Your companion and I have never met, but I know her to be the wife of Dr. Watson.”

“It seems my night to be recognised,” said Mrs. Watson.

I apologised to her, and introduced the newcomer. “This is Mrs. Irene Norton, better known to the world as Irene Adler, the famous contralto. Mr. Holmes has crossed swords with her in the past, when her career was intriguer, thief, and blackmailer, but he has some grudging admiration for her, regarding her as more sinned against than sinning. I have to say I never shared that view. Nonetheless I can’t remember ever being so glad to see one of Mr. Holmes’s adversaries. How on earth do you come to be here?”

“Oh, I… um… happened to be in the area of Baker Street, having just arrived in town from Cambridge, where I had been visiting some old friends. I happened to see you two in animated mode, and was instantly fascinated. I wanted to find out what had captured your attention – I sensed a possible adventure! – so I followed you. You’re lucky, though, because I was about to give up, but then I saw you two respectable ladies break into a Salvation Army Citadel. That kept me after you.”

“I knew it! I have had the distinct feeling we were being followed since out visit to Chelsea.”

“Now we should leave,” said the adventuress. “I sent an urchin for the police, and they should be on their way.”

“What about your gun?”

“Believe me, it will do more good lying there than not,” she said.

The police were indeed on their way, but they paid no attention to two Salvationists in the street, supporting an apparently drunken woman between them, while she sang about her “werry pretty garding”.

It was back at Baker Street, next morning, where she said “We could, I suppose, form a detective agency of our own. It really is not half as difficult as Dr. Watson’s published accounts – which I read avidly – make out. Far from creating mysteries, most criminals leave tracks that would disgrace an elephant.”

“What would Mr. Norton have to say about this?” I asked, but she ignored that question.

“We could call ourselves Watson, Hudson, and Norton,” said Mrs. Watson. I felt that was a little prosaic.

“That sounds like a firm of Writers-to-the-Signet,” I said.

“The Weird Sisters, then,” said my friend, laughing, reprising the fake Swami’s Shakespearean reference.

“Three Bubbles of Earth,” said Mrs. Norton merrily.

At that moment my doorbell rang, and I went to see who might be calling. It was a boy with a telegram. It was from my tenant.

ARRIVING NOON. COFFEE ESSENTIAL.

Oh these bachelors! I read it aloud to my guests. Mrs. Norton looked at my parlour clock.

“I should be going,” she said. “This idea of investigating things as a trio is an attractive one. Should you ever need me for such an adventure, put an advertisement in the personal column of the times. To ‘I.N.’ – some reference to Macbeth – and I’ll contact you.”

With that, she was muffled and gone. Mrs. Watson departed not long after her, and I was left on my own to prepare for Mr. Holmes’s return.

A day later everything was back to normal. Mr. Holmes was in his armchair reading his paper. Dr. Watson, returned from Dublin, had called to see him (before going home to his wife!). I was clearing away the breakfast dishes, when my famous tenant spoke.

221b 6“Watson, I see that Lestrade has been busy,” he said. It appears that two nights ago an alarm was raised in Whitechapel, and a dead Hindoo… hmm… from his description in the paper I would say rather a Punjabi Musalman… was found shot dead under some railway arches in Whitechapel, the murder weapon lying beside him. The murderer had made his escape. Later what appeared to be another Hindoo… there they go again… was apprehended about to board the steamer for Cuxhaven. He was first arrested on suspicion of having murdered the other fellow, but Inspector Lestrade of Scotland Yard was able to establish that he was none other than Eduard Sinkiewicz, a Pole, a former Russian spy, and a suspect in the murder of six gentlemen and the swindling of their widows, in the guise of a spiritual medium. Most of the ill-arrived gains were recovered from Whitechapel. Hmm… no residue of that case for us. But ah! What’s this?”

He sprang to his feet.

“The theft has been reported of an original manuscript of Edmund Spenser’s The Faerie Queene, from Pembroke College, Cambridge. Police in that University city fear that a ransom will be demanded for this national treasure. Watson! There is no time to lose. When is the next train to Cambridge?”

“But… but…” said Dr. Watson, no doubt wondering how to explain his absence to his wife.

“Cambridge,” I said to myself as I went down the stair. “Cambridge. Oh dear.”

I thought perhaps I had better put an advertisement in the Times without delay. One of the three bubbles had some explaining to do…

__________
This might not be the last you hear of the three lady detectives.

M.

Pet Hates

authorWriters who write down to their readers.

Writers who write for an ‘in’ readership.

Writers who are afraid to experiment in case they alienate readers.

I believe that literature belongs to everyone, is for everyone, and that everyone has a right to its radiance. No one should be afraid of picking up a ‘difficult’ book – difficult books do no belong to any elite. No one should be afraid of picking up a book from an ‘easy’ or throwaway genre – there can be a lot of joy in the simple and ephemeral, and that joy is everyone’s right too.

I detest shoddy workmanship, no matter whether in a difficult or easy book.

Marie Marshall – the brand!

Mèrodack-Jeanneau Danseuse_jaune 3Everyone these days has to have an ‘author brand’. Or so it seems.

In particular, when an on-line presence – a web site, a blog, a Twitter account, a Facebook page, an author’s page at Amazon – seems to be essential, it is no longer enough to be a good writer. I believe I have that covered anyway, and if I hadn’t, there are a thousand-and-one sites out there offering advice on how to structure a novel, how to allocate time, the necessity of beta-readers, the advisability of professional editors, and on, and on. Now, however, if you want to sell your writing, you need to have something on line that instantly identifies you.

It’s not easy for someone like myself. I freely confess I am a very private person, a virtual recluse. I have always put forward my writing as the milieu and medium in which I express my strength, and have left the rest as a matter of mystique. Often, when asked for a bio, I borrow and adapt from the telegram sent by the artist Balthus when asked for a summary of his biographic details

NO BIOGRAPHICAL DETAILS. BEGIN: MARIE MARSHALL IS A WRITER OF WHOM NOTHING IS KNOWN. NOW LET US READ THE WORDS. REGARDS. M.

which is the way I like it.

Mèrodack-Jeanneau Danseuse_jaune 4An ‘author brand’ is so much more than a logo, or a slogan, or a web site layout; but all these contribute to it and, apparently, they tend to make an author as well-known as the famous ‘golden arches’, a true ‘persona’. Do I have one? I don’t know. I have the mystique, I have a web site that I try to keep ‘clean’ of clutter (I love a minimalist approach), I have that description of myself that someone gave me – ‘The Queen of Wow!’ – I have a lot of yellow. Whether this amounts to a brand, well, only you can tell me if my ‘touch’ is instantly recognisable.

You see, the recluse is truly who I am. The person who relies on the strength of her writing and her facility with language – that’s me! I’m a person, not a persona. La Danseuse Jaune and ‘The Queen of Wow!’ are only signs I hang on my door. What if all I had was a brand? No writing, no me, just a brand?

All front and no substance…

What’s that? Oh yes, thank you for asking, the new novel is coming along slowly but surely.

So, what’s happening?

The problem with keeping web site content turning over is that, for a writer like myself, there are long periods where nothing much appears to be happening. That’s not the case, of course, but on the other hand, much of what is actually happening is ongoing stuff, or issues regarding which I’m waiting for someone else’s action.

vic1I could say, I suppose, “I’m still writing my next novel,” but how many times can I repeat that before ‘no news is good news’ becomes simply ‘no news is no news’? As it happens, I am still writing that novel. What’s it about? Well, I’m playing my cards close to my chest on that one, for many reasons, not least of all that it is a dynamic project that has changed course several times already. That’s largely because the leading character has taken over – the novel is not only in her unique voice, but governed by the way her unique mind works – and she is defying the concept of an end-driven story. I can say that it is the novel, or if not the novel then one of the novels, I have always wanted to write. Also that it is set in Victorian London, or is set there as far as can be gauged, given that the leading character’s psychology has telescoped the entire Victorian era into her short life. There will be murders and detection, but also obfuscation and doubt. English folklore characters from the countryside will encroach onto the bustle of the metropolis, there will be both psychic fakery and psychic peril, and a strange, silent figure will stalk through the narrative.

What I actually need to do at this stage is to allocate more time to writing this novel, the main obstacles being sleeping, cooking, eating, washing, and cleaning. Plus ça change. Something needs to give, so if you happen to see me in town wearing yesterday’s blouse…

Other projects currently maturing include:

  • Providing oversight and further ideas to a Scottish screen-writer, who is currently working on a screen adaptation of my short story about girl gangs.
  • vera1Assembling a chapbook-length selection of my poems inspired by the 16th century Venetian courtesan Veronica Franco, to present to a Scottish publishing house during their twice-yearly ‘window’.
  • Various poems and short stories currently with publishers and competition-promoters – I won’t mention what and who, because there is nothing more boring than a blog post that says “Hey guys – I just entered a competition!” only to be followed shortly after by “I didn’t win!”

fmcuh-cover-2001Meanwhile KWIREBOY vs VAMPIRE, the sequel to my novel From My Cold, Undead Hand, is now with P’kaboo, and is awaiting publication in due course.

So you see, there is a lot going on, just none of it exactly seismic. I have decided, however, to suspend my daily blog of poetry fragments, in order to give myself more breathing space. I know a daily snippet of poetry seems like no big deal, but I actually spend the bulk of my scheduled on-line time dealing with it. I shall continue to write fragments, when I feel the ol’ urge in me, and I might occasionally post one or two, but for now I think standing down from the daily obligation would be a good thing for me. I was one of several poets originally taking part in the daily project, and I think I’m one of the few who is still doing it five years later, so perhaps I deserve a rest. Please feel free, however, to go over there, look through the archives, and leave me some comments if something catches your eye.

I shall, I promise, keep you posted if anything interesting happens.

The Autumn 2015 Showcase at ‘the zen space’ is now published.

The Autumn 2015 Showcase at the zen space is now published, and this time it’s all to do with fridge magnets! Have a look here or click the pic.

premium-resin-3d-magnet-japan-shinkansen-or-the-bullet-train

Silver threading – among the gold

091815_1943_inherownwor1Silver Threading is a web site that has as its theme ‘Authors Supporting Authors’. This support can take the form of interviews, book reviews, articles, and so on. Recently they featured me, in an article mainly drawn from my own words. You can read it here.

Reading ‘Go Set A Watchman’

To_Kill_a_MockingbirdBy now we all know the story of how To Kill A Mockingbird came to be written, and how Go Set A Watchman came to be published fifty-five years later. That half-century-and-a-bit has seen a lot of changes in sensibilities about race, particularly in the USA, the country where both novels are set and where their major readership is. The thesis of To Kill A Mockingbird seems to be that, by and large, people are decent, or strive to be decent, or can be reminded of their decency despite their prejudices, not simply about race but about other fears as well; this decency does not always win out against a tragic result, when such prejudices are deeply ingrained in a community’s culture, but that is life. Man, as the Bible says, is born to suffering, as the sparks fly upward. Nevertheless, keeping an eye to that glint of decency leads, step-by-step, to some kind of progress.

To an extent, we readers found it easy to accept this naivety, given that the first-person voice of the book was that of a child, and that Harper Lee was relaying to us how the world seemed to her, that child, the novel being semi-autobiographical. We excused the ingenuous nature of its basic philosophy – indeed, it seemed ideologically neutral to us, because it expressed how we like to feel about ourselves, that there is hope, progress, and betterment. Most of its first readers came to it during the optimism of the 1960s Civil Rights movement.

Nowadays, in the era of ‘Check your privilege!’, it seems such an attitude won’t do. Racism is binary, it is either on or off, it is a thing without shade, hue, or nuance, it is a label hung as prominently around the neck of anyone who betrays a slight slip of attitude as it is round the neck of the most dyed-in-the-wool Klansman. I don’t say this is right or wrong. I do say it is as much cultural as was the liberal feelgood attitude that seems to be there in Mockingbird. Without the hardening of attitude since the date of writing and publication, perhaps a book like Mildred D Taylor’s Roll Of Thunder, Hear My Cry would not have been written fifteen years later. Certainly I could argue that her minor character Mr Jamison, the sympathetic white Rothmc_coverlawyer, would not have been created without the pre-existence of Atticus Finch. But Taylor’s work is much harder-edged, plainly didactic, aiming to show that African-American people must be the prime movers of their own change in circumstance. Thus Mr Jamison is largely ineffectual; whilst a lynching in Mockingbird is prevented by the stoical Atticus and ultimately by the ingenuous Scout, in Roll Of Thunder Jamison can’t swim against the tide, and a lynching is only prevented by a covert act of arson on the part of one of the adult black characters, as a result of which all the characters, irrespective of ethnicity, have to collaborate to save their livelihood. Taylor’s attempt to seize the story of racism in the South and depict it from the point of view of those on the receiving end was understandable. Despite Roll Of Thunder receiving the 1977 Newbery medal, I have always felt it failed as a book, because it never quite managed to give the child characters’ actions any appreciable impact or effect, compared to that of Scout in front of the gaol, and as it was principally a book written for children, that was a not inconsiderable failing.

Go Set A Watchman is already suffering on many counts in the few days since it was published. I almost feel cheated myself – I always wanted to be a writer, and Harper Lee was my idol for the simple reason she had come along out of nowhere, written one book which turned out to be a literary landmark, and then had written nothing else. I would have loved to have written the twenty-first century’s Scottish equivalent and similarly retired. Therefore I had mixed feelings when the coming of Go Set A Watchman was announced. I had long since given up my ambition of being a second Harper Lee – after all, I had had three novels published, and although I am glad to say they are read, I can’t claim that they have achieved the status of Mockingbird. I wondered whether the appearance of Go Set A Watchman would tarnish Lee’s reputation, rather than enhance it. I knew I would buy it, but frankly I would have waited with greater anticipation the appearance of a new Anne Tyler novel, she being acknowledged as prolific and a good story-teller.

How, then, to read Go Set A Watchman? We know that it is a largely unaltered first-draft of a novel that, with substantial revisions consisting of taking a minor passage and expanding it to novel length on its own, became To Kill A Mockingbird. We know that it is set in the 1950s, closer to the time when it was written. We have to be prepared for some major differences. The first and most obvious one is that we do not have Scout’s direct voice. There is no ‘Scout’ as such, no immediate trace of the overall-clad tomboy, except in a handful of flashbacks. The protagonist is Jean Louise Finch, somewhat of a feisty New York sophisticate in slacks, coming back to her to-kill-mockingbird-gregory-peck-and-mary-badham-atticus-finch-21253840Southern birthplace for a visit. The novel is written in ‘free indirect speech’, which means that although we do see things from Jean Louise’s viewpoint, the actual language is third-person. This holds us at a slight distance from the protagonist, it is not as easy to identify with her. The biggest surprise – well, by now it is, of course, no surprise at all – is to find Atticus Finch holding segregationist views. This troubles our binary view of racism. More to the point, it troubles our binary view of liberalism. Atticus Finch, as shown in Mockingbird and in the film adaptation of the novel, has inspired many people to take up the Law as a profession. He has a monument raised to him in Monroeville, Lee’s home town, which is fairly unusual for a fictional character. Good heavens, Gregory Peck, when I saw him in a TV re-run of the film, became my first and only guy-crush!

Yet, having read the book, I realised that his courtroom address in defense of wrongly-accused Tom Robinson, though thoroughly logical, read like a grocery list. It was flat and undramatic, lacking in rhetoric, as though the facts were enough to carry the day. He won the argument, sure, but lost the trial. He was not an advocate for any great social change, he was simply a man who demanded, plainly and without passion, that the law should be properly applied, and that you could not convict a black man contrary to the evidence. This is a major reason why later reviews of Mockingbird criticised both him and his creator for not being anti-racist enough, for not using the Tom Robinson case, Samson-like, to topple the Philistine edifice of Southern racism once and for all. But – for heaven’s sake! – did that happen in real life? Then why should it happen in fiction? Whilst no work of literature is ideologically neutral, Mockingbird is a realist novel, not a sermon.

51+CUXo8aDL._SY344_BO1,204,203,200_If it really shocks you to find that a character who in one novel was, as a matter of principle, sure that a black man ought not to be convicted of a crime he did not commit, is in another novel, sure that the black and white races should develop separately, then do as follows. Do not regard Go Set A Watchman as To Kill A Mockingbird Part Two. It was never conceived as such. Regard it as a stand-alone novel with stand-alone characters that just happen to have the same names as characters in another novel that you have already read. More properly, regard it as you would regard a first draft that turned up in the posthumous papers of a departed novelist, and cherish it as a record of her creative thought processes. I grant that this will be difficult, but judge it without reference to the literary merit of To Kill A Mockingbird. To have that previous merit in mind will mar your reading. This, however, you should bear in mind: Go Set A Watchman is not a twenty-first-century novel. It is a mid-twentieth-century novel. It is a product of its time and of the culture that Harper Lee lived in and took as normative. L P Hartley said that ‘the past is a foreign country; they do things differently there’, and this is something that I, as a person with very sharply defined political and literary principles, have had to learn to come to terms with as I read literature, and as I write creatively myself. I’ll not spoil the plot for you, but that is how to read Go Set A Watchman.

Marie Marshall – Lady wot writes

Just a little note to say I have revived my occasional blog for humour, politics, and folk dancing.

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Mr. Coelacanth considers Uppsala

Uppsala

Uppsala, broad-axed, bearded, Nordic kings
take thrones of state, mead and ale flow
from foamed hartshorns, suns sear a midnight sky,
or so it goes in my idle dreams.

Behind the harbour wall at Norrtalje, bobbing in ripples,
the finn-sold, fin-sailed, flying-fish galleys nod,
talk in the undertones of the halyards’ slap on masts,
of the Baltic swells they tacked and snake-hulled
a year ago as they rounded Åland lodestone-bound
for Riga, the amber city, and for the broad rivers of Rus
where their berserkers leapt ashore to found kingdoms
to the glory of Uppsala.

Here in Uppsala every fourth man is mailed,
every fourth woman is green-gowned,
gold-kirtled with runes, every corner rings
with the sound of lur, of stråkharpa, of fele, and of psaltery,
wheat-shirted children run the blond street
singing the Trettondagsmarchen, begging for bezants.
Here sits their solemn All-Thing, to decide the right
to barley and to wives, to monopolies in akkavit,
to axe and holm, to dour theology, to clinker-hulls,
to the wearing of fox-fur and elk-hide, to the franchise
of the Saami of Laponia, to red-gold, to weaving,
to patterns in knitted wool, to the bourns of charity,
to the meanings of stage-plays, to the enmity of peoples,
to the grey of suits and ties, to the served time of doctors.

Mr Coelacanth 1

And in the bleak, birched, lake-banded hinterland
dour detectives rake for bones, wooden houses
sting the air with pine-resin, the fishbone arrowheads
that hunters use are traded in the market-villages
for barter-goods to change for Uppsala silver –
the beaten silver of the holy plates hidden
in the reliquaries of sitka-spired churches.
Across the sea marshes and inlets comes the mist,
the breath of the great Dragon of the Baltic,
cold monster that tells of ice, migrating bears,
and the clangour of strange, brazen bells.
She reminds the burghers of Uppsala
that the balance of their simmer-dim is
the death-in-life of winter night, the sightless days
chased by old, lancing stars and northern lights.

The stride of beard-brave champions on pitching boards
or flagged thoroughfare, the ringing fall of boots,
the wending of men who measure time in leagues travelled,
all these come to Uppsala in the end; all the salt-fish
come here by net, by lure, or of their own seeking,
all the following, hungry glutton-seals and seagulls,
all the scuttling crabs too; every adventuring clan
of Lett, of Rus, of Tatar, and of Gael gravitate to kneel
by Queen Uppsala, each chieftain swearing by his pagan-ness
to be her man-at-weapons, each chieftain’s daughter
to be her maid-at-linen, each thrall to be hers
to use as she will. Each oarsman dedicates his blisters,
and the trip-trap of horses from the longship’s slender gangway,
to the quays and godowns on the Fyris-side,
over cobbles, to the smooth mountain-stone
of the chateau-courtyard, sounds for the Queen.

Mr Coelacanth 2

Ah, Uppsala, a Queen to whom bow lesser
and bend the knee – Osthammar, Hallstavik, Nacka,
Vaasa, Turku, Mariehamn, humble embassies –
your scepter and your bow, your altars to the Æsir
and to the Lutheran God, your awesome Majesty,
how happy must your burghers be in their guilds
and free assemblies, their crafts and churches,
their marching bands, their fire-watches,
their coteries and snug brains-trusts!

I am not a Finn, says Mr Coelacanth to himself.
Otherwise I would hale a dragon-boat through
the fogbanks of Dogger and trace the fractal fjords
to my heart’s content
. And he settles back, shutters his eyes,
and wanders the dreaming, cobbled, castled, long-halled,
long, hauled, old-strawed, old-strewn alleys of Uppsala,
his sense of geography untainted by the truth.

He is unaware of the halo-flight of bismuth beetles
japanning around his head – so many spies
looking for a landing-place.

__________

From I am not a fish

© 2013 Marie Marshall