Nice things people have said to me so far in 2019:
“You’re too brilliant to pin down, Marie. Like trying to pin the tail on the sunlight.”
“In my version of you, more like trying to pin the blame on an exploding supernova.”
“… arrogant bint!”
The third one there was said affectionately, I can assure you.
Not so much a revival, more a recycle:
In 2010 I opened a new website for my Lithopoesis project. I have played around on the edges of experimental poetry more-or-less ever since my stint of writing sonnets came to a close (“I’ve learned how to draw,” I said, “and now I’m entitled to pickle a shark and call it ‘art’.”), and it is now almost a decade since that particular period of work. The last post I made there, adding a forgotten piece of work, rather than constructing something new, was in 2012.
Now, however, I have decided to add another page there, to house the dribs and drabs of what I call ‘Impact Art’. Now, you know me – I don’t like to explain what I’m doing. You read my poetry and my prose, as is, and you make what you can of them. I feel, more often than not, that explanation is a destructive process. You, on the other hand, take over the matter of creation as soon as you see something of mine, as soon as you look at it, give it attention, relate to it, react to it, interpret it. Let that interpretation run to a scholarly thesis if you wish, go nuts, it’s fine by me.
So go and have a look at my ‘Impact Art’. Clicking the image to the right of this post will take you to its threshold; or you can simply click on the ‘Impact Art’ tab at the top of the page, over on the Lithopoesis site. Follow the blog there – I’ll post an update in the blog section whenever I add something new.
Am I still writing poetry?
Yes, over at Kvenna ráð I am. I’m resting my ‘Two hundred and seven words’ prose-poetry at the moment, and dropping an occasional haikuform poem, but yes I’m still dabbling. Go there, follow that too.