Marie Marshall

Author. Poet. Editor.

The Elvish Knight. (Child Ballad 4)

Rackham detail

 

A knight came out of the fairy land
With the gold and the grey and the green-i-o
And he’s asked a lady for her hand
As the willow grows in the dene-i-o

First go and fetch me your father’s chest
With the gold and the grey and the green-i-o
And then put on your Sabbath best
As the willow grows in the dene-i-o

Go down to the stable and meet me there
With the gold and the grey and the green-i-o
And it’s I on a colt and you on a mare
As the willow grows in the dene-i-o

It was she on the white and he on the bay
With the gold and the grey and the green-i-o
Three hours before the break of day
As the willow grows in the dene-i-o

It was over the moss and over the mire
With the gold and the grey and the green-i-o
It was over the bush and over the briar
As the willow grows in the dene-i-o

It was he as the groom and she as the bride
With the gold and the grey and the green-i-o
And they rode till the came to the cold river’s side
As the willow grows in the dene-i-o

Dismount, dismount my lady fair
With the gold and the grey and the green-i-o
For it’s six pretty maids I have drowned there
As the willow grows in the dene-i-o

Take off, take off your silken gown
With the gold and the grey and the green-i-o
For it’s much too fine to sink and drown
As the willow grows in the dene-i-o

First draw your brand and crop those thistles
With the gold and the grey and the green-i-o
For I cannot ’bide their jags and bristles
As the willow grows in the dene-i-o

Then he’s turned around for to crop them all
With the gold and the grey and the green-i-o
And she’s catch’d him around the waist so small
As the willow grows in the dene-i-o

Then she’s thrown him over the water’s brim
With the gold and the grey and the green-i-o
Oh I’ll surely drown for I cannot swim
As the willow grows in the dene-i-o

Lie there, lie there in the water deep
With the gold and the grey and the green-i-o
Now close your eyes and go to sleep
As the willow grows in the dene-i-o

Then she’s up on her horse and she’s rode away
With the gold and the grey and the green-i-o
Three hours before the break of day
As the willow grows in the dene-i-o

Now a magic bird in her window high
With the gold and the grey and the green-i-o
It’s begun to prattle and begun to cry
As the willow grows in the dene-i-o

Oh do not prattle and do not scold
With the gold and the grey and the green-i-o
And your cage shall be made of the finest gold
As the willow grows in the dene-i-o

Now her father on hearing the bird did say
With the gold and the grey and the green-i-o
Oh why do you sing at the break of day
As the willow grows in the dene-i-o

There came an old tomcat my life to take
With the gold and the grey and the green-i-o
And I called to my mistress so she would wake
As the willow grows in the dene-i-o

__________

As you know, I like composing (new) versions of Child Ballads. The poem above – song, rather – is a version of Child 4, often known by such titles as The Outlandish Knight and May Colvin and False Sir John. When I do this sort of thing, is it folklore or fakelore? You decide.

The illustration at the top of the page. is a detail from Arthur Rackham’s May Colvin.

Other stuff for you to see today: My one-off artistic statement, and some guest poems on the site of my friend Mari Sanchez Cayuso – desert poem 17, desert poem 18, and desert poem 19 – definitely not Child Ballads.

 

It doesn’t hurt to ask, but don’t build your hopes up.

watchOver six months ago several things came to a head seemingly all at once. Firstly the flying of the Confederate flag – or rather its lowering – became an issue all over the southern states of the USA. Secondly a prominent activist was outed as trans-racial. Thirdly, Harper Lee’s publishers released Go Set A Watchman.

The latter was significant to me. Harper Lee had always been a heroine of mine, for writing one of the monuments of American Literature – To Kill a Mockingbird – and then retiring. I wanted to do the Scottish equivalent, but as soon as I published my second novel that was out of the question anyway – that fact always makes me smile.

With the near-coincidence of these three things, it occurred to me to write a short story, set in 2015, in which a young female couple, one of whom is of mixed racial heritage, have a rendezvous in the Alabama town where one of them has her roots. Together they see how the town has coped with the realities of the twenty-first century. The central event in the story is the lowering of the Confederate flag at the town’s courthouse; but also the couple visit, in passing, an elderly lady who can remember her childhood in the town, during the Depression. My story remained unfinished. I had planned it as a tribute to Harper Lee, and it only really made sense if I could call the elderly woman ‘Jean Louise Finch’. This was, as I say, to be a serious story and a tribute, not ‘fanfic’. So I did the polite thing and got in touch with Ms Lee’s publishers to ask permission, leaving the story unfinished.

Well, seven months later, long after I had forgotten about the project, I got my answer. No. Not only could I not call the elderly character ‘Jean Louise Finch’, I could not use any character names out of To Kill A Mockingbird or Go Set A Watchman. That’s fair enough, I guess. Not only that, but I could not call the town ‘Maycomb’. Okay, I can see the logic in that, given the interdict on character names. But apparently I could call the town ‘Monroeville’ if I wanted. Well thanks, I know I could – any writer is free to set a story in a real place – but the point would be lost. In any case, seven months after the event(s), the moment for the story has passed. It remains unfinished.

But I thought I would share a passage with you, just for the heck of it. Very little else of the story has been written, and now probably won’t be; so what you have here is a little insight. The accompanying pictures are of the old and new courthouses in Monroeville – and just to be clear, the new courthouse can be seen to be flying the Stars-and-Stripes and the Alabama State Flag, not the Confederate flag, which was another reason why fictionalisation was necessary. By the way, the story was to be called The Standard of the Camp, which is a reference to Numbers 1:52 and Numbers 2:2 in the Bible.

*
monroeville1

Judith parked the car a few blocks away, and we walked hand in hand, joining one of the little streams of people approaching from every direction to swell the small crowd in front of the building. It was indeed a small crowd as a proportion of the population – only a few hundred – but unless a person had a reason to wish to be there for what was, after all, only a minor piece of history when taken with the bigger picture, why make a fuss and stir yourself? To Judith and me, with our own union being also a small part of a bigger picture, there was a reason to come. There was to be no ceremony. Simply, at six o’clock, the Confederate flag was to be lowered from the flagpole outside the courthouse, never to be raised there again. It was to be an occurrence, that’s all.

“Has that flag always flown here?” I asked Judith.

“Not sure,” she said. “The way I heard it, it wasn’t raised anywhere at all until the nineteen-twenties. There’s a picture somewhere of the old courthouse during World War Two, and it had the Stars and Stripes on the flagpole, and another picture taken during the Cold War that shows the same. Someone told me that a group of local politicians pushed through some measure when Obama got elected President. But hell, I’ve hardly ever been down this part of town before, so I wouldn’t know.”

“I guess people didn’t really notice until it became an issue.”

“You got that right!” said someone near me.

I get that. When something is just part of the scenery you don’t notice it. Then one day it’s gone, maybe a tree is cut down or a building demolished or something new built, and the best you can do is wonder what’s wrong with this picture. The Stars and Bars on a biker’s jacket or tacked up in the back of a neighbor’s garage can just be scenery. Until someone decides to become a semiotician, and – bam! Just how important to us all was disposing of this symbol? Apparently it was important to APT and WSFA as they had cameras there, so it was potentially news.

The clock at the old courthouse began to strike the hour. A side door of the newer building opened, two uniformed court bailiffs came out and began to walk diagonally across the lawn towards the flagpole. The buzz in our little crowd died down. I could see that a reporter from one of the TV stations had stationed herself between the cameras and the flagpole and was talking into a microphone. There were no salutes, there was no fuss, one of the bailiffs untied the hoist from its cleat, and began to hand-over-hand it. The flag began to descend, slowly. As it did, a knot of men nearer the front began to chant.

“USA, USA, USA…”

I could see a veteran’s cap, I could see a biker’s bandana, I could see a couple of hand-held Stars and Bars being waved.

“God, they say we Americans have no sense of irony, and they’re right,” said Judith.

“Look at another way, honey,” I said. “The way these guys see it, the ideal of the United States is that the whole is not greater than its parts, there is no over-riding principle that can impose itself on a constituent state, and indeed upon the right of an individual’s expression. In some way that’s what they believe in. In their view of history, that’s what the Confederacy was fighting to establish and the Union was trying to crush.”

“That’s an extraordinary opinion to come from an African-American,” said a voice behind me. I looked over my shoulder at the woman who had spoken. I hadn’t heard any hostility in her voice and I couldn’t see any in her face.

“I guess I’m repeating something I heard from someone here in town,” I said. “Don’t get me wrong. To me that flag is just what they say it is – the symbol of white supremacy – and although I’m not from these parts myself, I’m glad to see it taken down. It’s just that the person who gave me that idea also told me that something like nine out of every ten Confederate soldiers had never seen a black person, let alone owned one. They didn’t decide what the flag meant. Somebody else did.”

“Hmm.”

Judith nudged me, and I turned back. People had their iPhones out, taking pictures of the lowering. Some were taking selfies.

“You want a picture?”

“Nuh-uh. No thanks.” For many reasons I did not.

The flag came to the end of its journey. The guys chanting fell silent. I stood on tiptoes to watch the two court bailiffs detach it from the hoist and fold it without any flourish. One of them tucked it under his arm and they began to walk back towards the courthouse. What would happen to it now? As long as it never flew again, did I actually care? Judith and I turned to go.

monroeville2

*

I recall a similar thing happened when I had an idea for a full-length adventure novel featuring a character created by a fellow-Scot. Her creation was not a pleasant character, he was in fact the arch-rival of her protagonist. But I saw in him the potential lead in a story about a cynical adult wizard. So I wrote to her publishers and asked for permission. And of course the answer came back in the negative. Now, I am all for authors protecting their intellectual copyright, given current social and commercial circumstances. I feel no rancor to either Harper Lee or to JKR because their people said no. Indeed, my cynical adult wizard – Agent Delta of the Chthonic Intelligence Agency© – still exists on my virtual drawing-board, is not named as anyone in any other work of fiction, inhabits a milieu nowhere near any boarding-school, and may come to life in a way that infringes no copyright.

1On the other hand, when I got in touch with Irvine Welsh and asked if I could use his name as the central character in an epic poem – Welshday – in which he journeys through the city of Edinburgh in the company of an inebriate detective and a living statue, in a tribute to James Joyce’s celebration of ‘Bloomsday’, he replied “Why not! Go for it!”. All of which leads me to the point of this post: it doesn’t hurt to ask. Countless authors have based novels and stories on pre-existing characters – the Flashman novels, James Bond novels by Kingsley Amis and William Boyd, and so on. Sometimes a living author will hand on the baton willingly to a successor, and the worst that can happen is that they’ll say no.

As it happens, Welshday was never finished either. I know the concept of unfinished writings seem strange, almost like the idea of failure. But I draw the analogy with a painter’s studio – no one finds it strange to find drawings, sketches, studies, and unfinished works there, so I have no qualms about admitting to countless novels, stories, and poems that never made it (yet!) to completion. In fact Welshday gave rise to some good stand-alone poems, so here’s one of them for you. Our journeying hero and his inebriate companion visit a bar in Leith, where they are accosted by a Russian seafarer who claims to be the only survivor from the sinking of the submarine Kursk. It’s a sestina:

 

Old Rimbaud said, “Let’s go and take a glass
of whiskey in a jostling pub I know.”
I, like a sodding numpty, dogged his steps,
And tracked him to a clapped-out, frowsy dive,
Where half the clientele were missing ears –
the other half were shouting to be heard!

We’d been there half an hour when I heard
a Russian sailor tap the falling glass;
he grabbed my sleeve, said “This is for your ears
alone, no other bugger has to know.
I heard my skipper calling dive-dive-dive,
as I slid down the conning-tower steps…”

Old Rimbaud, blootered, sunk down on the steps;
the Russian bellowed at me, to be heard.
“The air inside gets hotter when you dive,
the sea is slagged and dark as bottle-glass.
The ghost of every bugger that you know
floats by, and there’s a pounding in your ears!”

His sliding, slootered accent hurt my ears.
I thumbed my belt and slipped some salsa steps;
I said, “Now tell me something I don’t know,
no half-arsed, half-cocked tale already heard,
no shite enigma darkly in a glass,
no bonny buck-and-wing, no duck-and-dive!”

He scowled at me and, miming a crash-dive,
resumed the tale that battered at my ears,
while I, to ease my pain, sucked at my glass.
“Kolesnikov took all the proper steps,
and we went aft – perhaps you might have heard –

but when you’re frigging shark-bait, boy, you know!”
I shut him up, and said, “Here’s what I know –
no fucker made it home from that last dive –
They all asphyxiated, so I heard!”
He laughed, he jeered, I stopped my ringing ears,
and sat down with old Rimbaud on the steps,
to spit at all the demons in my glass.

When ghosts well from a glass you always know,
You’re sitting on the steps of some sad dive,
and though you stop your ears you’ll still have heard!

The Winter 2016 Showcase at ‘the zen space’…

… is now on line! This time round, haijin and poets from all over the globe have been taking pot-shots at crows, and the result is murderous. Visit here, and join in the caw-rus…

0210201013250013

The new ‘Star Wars’ movie reviewed!

This is just a suggestion, but if you would like to read my review of Star Wars: The Force Awakens, click on the pic below.

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So, what are you doing if you’re not writing?

Apart from feeling guilty, you mean? No, seriously, that is an issue.

authoressWhen I think about it, my output over the past few years has been quite something. I have to remind myself that, since about 2005, apart from having finished four novels (three of which have been published and the other is with my publisher awaiting publication), having had at least two-hundred-and-fifty poems published in collections, anthologies, magazines, and e-zines, having written enough short stories to fill over two volumes, I have taken part for five years in a poem-a-day project. So why stop? Why stop that poem-a-day, and why halt progress on my latest novel after 20,000 words? Well, let me be clear about this – I needed a break, and believe me I’m feeling the benefit. Output had taken over from quality, and I was exhausted and frustrated.

So where does the guilt come from? I don’t know. Maybe from the little imp on my shoulder who keeps whispering to me, “You’re an ex-writer, that’s what you are! Now you’ve stopped, you’ll never start again.”

Maybe, in fact, it has to do with the continuing output of fellow-writers I respect. There they go, merrily taking part in NaNoWriMo and suchlike, galloping though the creation of a novel in a single month, filling their blogs with poetry, writing columns of advice for colleague-authors, posting their goals and how they have achieved them… I could go on line now and find, with ease, confident articles on the discipline and routine of writing, and below each I would find an almost endless roll of comments thanking the writer for his or her sage advice. And I would know that, try as I might, I couldn’t stick to anything like such a routine. I might manage it for a week… ten days…

And yet, there’s all my output. I must have had some impetus and discipline somewhere. You would think so. A colleague said my writing was ‘visceral’, meeting that it sprang from emotion, from feelings rather than thoughts. When I consider that such movements in art and writing as modernism, expressionism, and imagism have influenced me, I guess she could be right. Certainly when I set out to write something, with certain exceptions, I do not start out with the goal of reaching a goal. By that I mean that my work is seldom driven by the end, I do not start my novels, for example, with the resolution of the narrative already in my mind*. I describe such a practice a ‘male’ writing, by which I mean it is driven along by the desire to reach a single climax, to use a sexual analogy. It’s the authorial equivalent of ‘getting your end away’. And it is something that is so ingrained in our culture, that it is hard to counter, hard to offer any other way of doing things. As we say in Scotland, ‘it’s aye been’, or at least its ingrainedness gives that impression. Writers like Virginia Woolf showed us that it simply didn’t have to be so, it didn’t have to be the unwritten rule that we all revered like Holy Writ. Yet it lurches along still, like some kind of zombie. There, that’s today’s thought – ‘Zombie male writing’.

To me, there was so much left undone in modernism, as though they picked up the ball, ran with it, passed it to the next author, who just stood there and let it drop. I know, I know, my mixed metaphors are murder today…

Where was I? Oh yes – what have I been doing if not writing. Well, same as ever. Holding down a job, editing, playing my part in family routine, coping with physical and psychological conditions (my own and others’), reading, in fact all the things I was doing while I was writing. Y’know, I wonder where I found the time to write so much! So will I let all these mundane necessities fill the available time, will I become used to them, so used to them that I will one day forget to write, forget that I ever wrote? Well, let’s face it, one day we will all close our eyes on daylight and not simply forget what we were but lose the forgetting too. Life is about letting go. So it is, of course, possible that I will never write again, ever.

Possible, but improbable.

Despite the imp on my shoulder, I’m not an ex-writer. Hell, what am I doing right now if not writing? I haven’t stepped away from my work entirely. I jot stuff down, the odd word, the odd phrase, the odd idea. I go through my unpublished corpus to see if there is anything worth submitting to a poetry magazine**. Ideas on how to progress my novel – the one I’m half way through, the one I always wanted to write – keep circulating in my head. And anyway, competing with the guilt-imp is the wee wight on my other shoulder, telling me that if I don’t go back to writing someday soon, I’ll end up in that charming little beauty spot located, I’m told, near Harrisburg PA.

Near Harrisburg PA

Gonnae no dae that! Gonnae no!

__________

*Many writers claim not to do this, but frankly it’s what most of ‘em do!

**I haven’t submitted anything since about 2013, at which time I devoted all my energy to writing a collection specially for a publisher. The result was my prize-nominated I am not a fish.

Edge – BHS 2015 Anthology

I have a haiku in Edge, this year’s anthology…

Edge 2

Three Bubbles of Earth: A 221b Baker Street story

“We could, I suppose, form a detective agency of our own,” said Mrs. Norton to me, under circumstances I’ll come to eventually, I promise you.

And at the time I felt that maybe we could. I certainly regarded myself as somewhat qualified, having absorbed, by what I believe Dr. Watson would classify as ‘osmosis’, a fair amount from my famous tenant. More, in fact, than you would imagine. I have spent several years navigating both his order and his chaos, distinguishing the one from the other, and recognising the tracks and traces of one within the other. I know what is secreted where, and where to find reference to things. I know how he files newspaper clippings, and what his system of annotation means. It is amazing what can be gleaned during simple housekeeping activities. I am not merely the adjunct whom he calls his busy, biblical ‘Martha’, to be yelled for from the top of the stair when he wants a Scottish breakfast or his Dewar flask filled with coffee in the depth of the night. I am not ‘Mrs. Turner’, as he once absently called me. I am Elspeth Hudson – née Turnbull, and Effie to my friends – I am a widow, I am a woman used to standing on my own two feet, I am educated, I am a Scot, and 221b Baker Street, London NW, is my address, not his. He rents rooms here. if he omits ‘care of’ on his calling card, then he does so by his own presumption and without my permission. In fact everything he does in this house, and by sally from it, everything he says from here, is done and said on sufferance. The same applies to Dr. Watson, though he is much more affable and polite. Superficially, that is. If I am to be honest, both of them have a typical bachelor’s disregard for women. They don’t mean to have, it’s simply the way menfolk are bred up, and again to be honest I don’t hold it against them.

221b 5Let me give you a wee example of my qualification, just picked from the air as it may be. Last week there was a chapping at my door, and I answered it to a man asking, as they all do, to see Mr. Sherlock Holmes. I admitted him and conducted him upstairs. As I left him there with my famous tenant, I heard the usual rigmarole.

“I perceive that you a married man in sudden and unexpectedly straitened circumstances, and that you arrived here from Birmingham this morning by the ten-fifteen express.”

“Good Lord, Mr. Holmes! How can you possibly know that?”

“By simple observation and logical deduction. You see…” etcetera, etcetera.

All well and good, of course. Mr. Holmes was entirely correct in his deductions – I did not need to hover at the top of the stair to hear his reasoning – as I had come to much the same conclusion himself. The sudden and straitened circumstances were indicated by his wearing a jacket that was fashionable for men two summers previously, but which had had one button replaced that was not quite a match. I recognised the thrift of the button jar! His being married was obvious by the careful and regular way in which the replacement button had been sewn on, not with the cobbled-together stitching a man on his own would have used, nor with the delicacy and loving touch of a sweetheart, but with the honest practicality of a longer-time companion. There was nothing about him generally to suggest that he was a ‘mother’s boy’, and the touch was definitely companionable I’d say; and if you add to that the fact that he was past conventional courting days by a good five years or more, it was a fair shot that he was married. The deduction about his origin and arrival was as easy as pie; were his voice not enough, he had an early morning edition of a Birmingham newspaper sticking out of his jacket pocket, and there was only one train that could have borne him here at this time. I could have primed Mr. Holmes also, if I had cared to the following. That our visitor possibly had a sweet tooth, by the smell of peppermints on his breath and by the click-clack a couple of them made in the left-hand pooch of his overcoat as I hung it up; or more likely that he had been drinking, if the uneven weight of something, probably a flask, on the right hand side of his coat was anything to go by. That he had walked here via Manchester Square Gardens, by the evidence of an autumnal leaf, attached to one of his dickersons, from a tree that grew in that location, alone of all the neighbouring gardens. That this route to our – I mean my – front door meant that either he had little sense of direction, or more probably that he was distracted by the matter that had brought him here, and had mistaken the the direct route from the railway station. That his distraction might be confirmed by the obvious lack of attention he paid whilst crossing the road, as witnessed to by a distinct whiff of the leavings of a dray-horse on the same dickerson that bore the leaf. That he had either sustained an injury to one leg, or that the right was a little shorter than the left, which I gathered from the rhythm of his footfalls as he climbed the stairs behind me. I could even have hazarded that he was right-handed. How? By the fact that if he reached more often for his flask than he did for a sweetie, then the flask would be in the pooch reachable by his better hand. However, I didn’t add that to a prominent catalogue of his personals, as most people are right-handed, and that fact was not necessarily significant. Worth handing to the clerk of memory for filing, but that is all.

Women, you see, notice such things. it’s not a skill we have to learn. Maybe ‘osmosis’ is just so much bunkum. Or maybe Mr. Holmes learned from me, and not the other way round. Now that would be something notable!

Anyhow, this wasn’t what I wanted to tell you. I wanted to tell you what happened the last time Mary Watson – Mary Morstan as was – came to 221b Baker Street. I was in my pantry dealing with the items just delivered by the grocer’s boy, when I heard a ring at the doorbell. No doubt Dr. Watson, acting as Mr. Holmes’s amanuensis, would have called it an urgent ring. He has a way of transferring things, of personifying the thing acted upon as though it was the person acting upon it – you’ll have seen that, no doubt, in his published accounts of the menfolk’s adventures. It was a ring, I’ll say that much. I was, I admit, surprised to find Mary, Dr. Watson’s wife, standing there.

221b 1“Good morning, Mrs. Hudson,” she said, looking past me. “Is Mr. Holmes here? May I see him?”

“Good morning, Mrs. Watson,” I replied. “No, he’s not here just now.”

“Oh dear. Will he be back soon?”

“I’m afraid I’m not expecting him today. In fact I have no idea when he might return. He’s away on an investigation. You missed him by less than a day, by the way – he left last night. Did your husband not tell you?”

“No,” she said with a sigh, “John’s away too. He’s at a medical conference in Dublin. He never mentioned Mr. Holmes before he left.”

It is as I said. Both our menfolk, tenant and husband, have retained in their characters the best and the worst of bachelorhood, the worst being a slight disregard towards women. Well, I had Mrs. Watson into my own parlour – I did not presume to take her up to Mr. Holmes’s, and in any case mine is comfier, there are no hard angles, there is less clutter, there is no odour of stale tobacco, there is a gently-ticking clock that gives comfort with a soft chime at each hour, and my kettle and cups are nearby. It is an environment where it was easy for us, despite our twenty years’ difference in ages, to drop our titles and become Effie and Mary to each other. To each other, I stress, and not to you, however – for the remainder of this tale I shall write ‘Mrs. Watson’. There we sat over two cups of my strong tea and broached the Dundee cake I had baked the previous day, while she told me why she had come.

Please forgive me if I don’t dress it up in ribbons. Here it is in a nutshell:

She has a friend – no need to name her – who had recently lost her husband. Distraught by her bereavement, she had looked for solace in spiritualism, as so many people do. It was something for which Mrs. Watson herself had no time, and no more do I, and yet it was a trait, an interest, a belief that her good friend had always had, and which she therefore tolerated it out of affection. Mrs. Watson took some encouragement in the fact that her friend’s quest was leading nowhere, and that she might be able to find her own inward strength to come to terms with her bereavement, or at least to lean on a good friend rather than on mountebanks and strangers. However, just when her friend seemed to be on the point of giving up her visits to mediums and clairvoyants, she reported that she had found a new one.

221b 3“When I saw her,” said Mrs. Watson, “there was a gleam in her eye and a flush on her cheek. She was excited, overly so. There was something of the enthusiast in her manner. I became worried once more.”

“What can you tell me about this new medium?” I asked.

“Well, he goes by the name of Kuldip Singh Naga. Apart from his Indian name, bearing, and voice, there is nothing particularly strange about him. Nothing flamboyant, nothing melodramatic. He does not seem to be a showman of any kind.”

“You have met him?”

“Once. On the street. I was on my way round to see my friend, and I came across them. I gathered they had either met by chance, or he had been to her house and was now taking his leave. When I came up, she introduced him as ‘Swami Kuldip Singh’. I proffered my hand, and he seemed a little reluctant to take it at first. But when he did, he bowed slightly, and said he was delighted to make my acquaintance. He was dressed in a simple, dark grey suit that buttoned to his neck, and a turban. He had a servant with him who bowed too.”

“What else can you tell me about him?” I asked.

“Nothing much beyond what my friend told me. His consultations take place in a hired room near Sloane Square. The room is modestly furnished, there are no suggestive decorations or appurtenances, no crystal ball or other fetish. His method is simply to spend a few minutes talking to her – sometimes with his hand laid upon hers – relaying to her messages that he says are from her husband.”

“What is it that makes him convincing where the others are not?”

“Merely the depth and breadth of his knowledge about her late husband,” said Mrs. Watson, and hesitated.

“What is it that you are not telling me?” I asked.

“Well, two things. Firstly that a few weeks before his death, there was a suspicion that their house was broken into… no, nothing was stolen, in fact everything about the house seemed to have been left neat and tidy, neater than usual, especially in her husband’s study. His books and private papers. I suspect that whoever broke in could well have been garnering information about him, the kind of detail that the Swami gave back to her in his consultations.”

“And the second thing?”

“The second thing is this. He is no Indian. He is no Sikh. Oh, you know my background – my father was Indian Army – so I ought to know. His disguise is good, but not good enough. I took a look at him when he shook my hand, and I am certain he is not genuine. His servant, on the other hand, is genuine – a Punjabi Musalman, I’d say.”

“And of course,” I said, “what is really the point here, is this. Let’s say he is a fraud, and let’s say also it was he or his servant who broke into the house and carefully perused all those papers and so on. The question remains as to how they knew that your friend’s husband was about to die? Unless…”

She nodded vigorously. “Unless it was they who killed him!”

“How did he die?”

“A heart attack. But as John tells me, indeed as he knows from his cases with Mr. Holmes, it is easier to fake a cause of death than is popularly supposed; and as regards heart attacks, the foxglove is a common weed… Oh Effie, since that thought occurred to be I have never seen an obituary in the paper without wondering if ‘died peacefully in his sleep’ hides something else.”

“I could go up to Mr. Holmes’s room,” I said, “and look though his clippings in the hope that there might be some relevant obituaries; but I doubt if that will be of any practical use. Look, it seems to me that we already have the facts of the case, and there is no mystery to solve. The man is a fake, a murderer, and a mountebank. He breaks into houses, finds out information about the occupant, murders him in some clandestine way that does not have any apparent connection to the breaking-in, and then extracts money from his widow – yes?”

Mrs. Watson nodded.

Well, the upshot was that with both Mr. Holmes and Dr. Watson away, we decided to do some investigating of our own, and in fact to pay a visit on the Swami. Our premise was to be that, on her friend’s recommendation, Mary was to introduce me as a widowed acquaintance – which was true enough – wishing to hear from her departed husband. Our aim was simply to amass as much information as we could, maybe proof at the very least of his assumed identity. So the same afternoon saw us outside his hired room in Chelsea.

221b 4We knocked, the servant answered the door and stood there making no sign at all.

“We’re here to see Swami Kuldip Singh Naga,” said Mrs. Watson.

He did not let us in, but called over his shoulder, “Prabhu… loka ithe hana.”

“One moment,” came a soft voice from inside the room, and a few seconds later the Swami himself appeared, pulling his grey jacket on. “May I help you, ladies?”

Mrs. Watson reminded him that they had met briefly, once, and told him the story that we had agreed on, but still neither man stood aside to let us in. I had the impression that they were occupied and did not really wish to be disturbed.

“Could my friend Mrs. Hudson not consult you?” she asked.

“I regret not,” said the Swami, “I am not taking on any further clients. Please do excuse me.”

We turned to go, genuinely disappointed.

“Wait!” he said, and stepped outside, pulling the door to after him, looking hard into both our faces, and then suddenly seizing my hand.

“Forgive my presumption,” he said, looking directly at me. “There is nothing I can do for you. Your husband is at rest, and therefore beyond my reach. Only such souls who have not yet penetrated the final veil and have yet to rest are open to me. I’m truly sorry.”

We travelled back to Baker Street by cab. Once or twice I was convinced that we were being followed by another cab, and I wondered if the Swami or his servant was trailing us, but Baker Street itself was full of passing traffic, no cabs stopped nearby or even slowed down. In my parlour, Mrs. Watson and I held counsel. Although I’m no expert on the customs and costume of India, I agreed with her that the Swami must surely be a fake.

“Apart from anything else,” she said, “his servant was far too familiar with him, and spoke to him in rather simplistic Punjabi, as though to one who is not a native-speaker. I wonder who he is really?”

“I think I can find out,” I said, and went upstairs to Mr. Holmes’s lair. I found a sheet of paper and fed it into his Remington, typing the following:

My dear Lestrade.
Could you, with some dispatch, find out the name and any other details of the lessee of rooms on the third floor at 34 ___ Street, SW. Please reply to Baker Street.
SH

Chuckling at my own effrontery and hoping that the inspector would not suspect anything, I put it in an envelope addressed to Scotland Yard, and committed it to the evening collection at the nearest pillar box. Having done so I made up a bed for Mrs. Watson in one of my spare rooms, and prepared us some supper. Inspector Lestrade’s reply came by second post the following day. The body of it ran thus:

The name on the rental agreement for the rooms in SW appeared to be Eduard Sinkiewicz. However, the landlord shows the rent as having been paid up to yesterday and the room now vacant. Forwarding address not known, but effects were removed to a private repository under railway arches in ___ Street, Whitechapel. Is there anything in this for us? Let me know.

The way that Dr. Watson represents the Inspector in his published accounts usually has him lagging several steps behind Mr. Holmes, or arresting the wrong man, or following the irrelevant or misinterpreted evidence. In fact I have always found him to be a very shrewd and intelligent man, and the newspapers regularly print summaries of his cases – ones with which Mr. Holmes has no connection – which show great efficiency. He does allow Mr. Holmes to rattle him sometimes, and has to endure my tenant’s condescension to someone not quite at his level – that lets him down a little. But I have a great deal of regard for him, and this note, I think, shows why!

Mrs. Watson and I held counsel again, as to whether simply to hand everything we knew over to the Inspector, or to keep on with our own investigation. Our conclusion was that we did not have sufficient evidence yet, our certainty about the murder and deception being the extent of what we had. However, Whitechapel had an unsavoury reputation and was not the sort of place two women like us could easily visit. We were at a loss for a while how to move things forward. Then I recalled that Mr. Holmes occasionally used disguises during his investigations…

Well – nutshell time again – as gloaming turned to murk, and evening to night, we found ourselves walking briskly through the neighbourhood in question, dressed in the uniform of the Salvation Army. I know, I know, but it was the best idea I could come up with. We maintained as much of an upright and confident air as we could, and moved about entirely without molestation. I silently congratulated Salvationism for having built up such trust, and hoped that our escapade would not mar things for them in any way.

Nevertheless, once again I had the feeling we were being followed. It was only a feeling, there was no evidence to suggest it was anything more than that, but it unsettled me a little. So by the time we arrived at the railway arches, I have to say I was a wee bit jittery. We identified the private repository by the serial number painted on the door, and in what little light there was saw that it stood unlocked and ajar.

“It may well be that we are too late,” said Mrs. Watson.

“It may well be,” I said, “but there is only one way to find out.”

My grandmother used to say that the only way to overcome the jitters is to square your shoulders, think of Scotland, and step forward. That was advice I tried very hard to follow as I slipped between door and jamb, and into the total darkness of the repository. I have no idea how Mrs. Watson steeled herself, but she was close behind me.

“Did you bring a candle? Some matches?” she asked.

“Not I,” I answered. “What was that noise?”

“I’m not sure, but it sounded like a door shutting and a bolt sliding to.”

“How right you are! The earth hath bubbles as the water has, and these are of them!” said a soft voice, and at that moment a lantern was uncovered, allowing a yellowish light to shine up into the bearded face of the Swami. I looked over my shoulder, past Mrs. Watson’s anxious face, and I could make out that the Swami’s servant stood between us and the door. I emulated my grandmother once again.

“Kuldip Singh Naga,” I said, as confidently as I could. “Or should I say Mr. Eduard Sinkiewicz?”

“Very true, how clever of you,” said the now-exposed Swami. “I must say your having tracked us here so quickly, before we could make our way to the Cuxhaven steamer, fills me with admiration. As does your penetration of my disguise. I have carried this ad hoc identity through India, you realise, once as an agent of the Tsar of Russia, then as a freelance; from there I made my way across the near-East, and Europe, living by my wits. Now, thanks to your meddling, I am obliged to make my way back again…”

“Wits?” cried Mrs. Watson, stepping forward. “You’re a mountebank, a murderer, and a thief!”

“And you are Mrs. Mary Watson, wife of Dr. John Watson, partner in the investigations of Mr. Sherlock Holmes, to whom you…” he turned to me, “are housekeeper, Mrs. Elspeth Hudson. What! – you think I didn’t know who you were? Finding that out was easy. Finding things out is all part of my enterprise, as you well know.”

“How would it be if we allowed you to leave for the steamer?” I asked. I could feel Mrs. Watson begin to object, but she stifled her objection in response to an urgent touch from my hand.”

Allowed me. Hmm…” Sinkiewicz seemed to consider that.

“You could, as a gesture, let us have the sum you took from Mrs. Watson’s friend,” I ventured. He shook his head.

“On balance, I think it would be unwise to leave any loose threads here. I’m sorry,” he said. Then he turned towards his servant and barked an order. “Nasir – jaladi, mara!

The servant pulled a dirk from his belt, but before he could move towards us the repository door gave way with a loud crash, swinging inward and knocking the him off his feet. A figure, coated and muffled burst in. Finding his feet again, the Punjabi made to throw his dirk, but the newcomer was faster, pulling something from a coat pocket – a revolver! – and there was a simultaneous flash and bang. The lantern was covered again, and I felt someone push past me and rush into the night. By the time the lantern was found and uncovered, Sinkiewicz was gone. But the Punjabi servant lay dead on the ground.

Mrs. Watson and I looked at the newcomer, now unwinding a muffler, to reveal a smiling face that was familiar to me.

“Good grief!” I exclaimed, “Mrs. Norton!”

“Good evening Mrs. Hudson,” said our dea ex machina, throwing her revolver down next to the dead Punjabi. “It’s good to see you again. Your companion and I have never met, but I know her to be the wife of Dr. Watson.”

“It seems my night to be recognised,” said Mrs. Watson.

I apologised to her, and introduced the newcomer. “This is Mrs. Irene Norton, better known to the world as Irene Adler, the famous contralto. Mr. Holmes has crossed swords with her in the past, when her career was intriguer, thief, and blackmailer, but he has some grudging admiration for her, regarding her as more sinned against than sinning. I have to say I never shared that view. Nonetheless I can’t remember ever being so glad to see one of Mr. Holmes’s adversaries. How on earth do you come to be here?”

“Oh, I… um… happened to be in the area of Baker Street, having just arrived in town from Cambridge, where I had been visiting some old friends. I happened to see you two in animated mode, and was instantly fascinated. I wanted to find out what had captured your attention – I sensed a possible adventure! – so I followed you. You’re lucky, though, because I was about to give up, but then I saw you two respectable ladies break into a Salvation Army Citadel. That kept me after you.”

“I knew it! I have had the distinct feeling we were being followed since out visit to Chelsea.”

“Now we should leave,” said the adventuress. “I sent an urchin for the police, and they should be on their way.”

“What about your gun?”

“Believe me, it will do more good lying there than not,” she said.

The police were indeed on their way, but they paid no attention to two Salvationists in the street, supporting an apparently drunken woman between them, while she sang about her “werry pretty garding”.

It was back at Baker Street, next morning, where she said “We could, I suppose, form a detective agency of our own. It really is not half as difficult as Dr. Watson’s published accounts – which I read avidly – make out. Far from creating mysteries, most criminals leave tracks that would disgrace an elephant.”

“What would Mr. Norton have to say about this?” I asked, but she ignored that question.

“We could call ourselves Watson, Hudson, and Norton,” said Mrs. Watson. I felt that was a little prosaic.

“That sounds like a firm of Writers-to-the-Signet,” I said.

“The Weird Sisters, then,” said my friend, laughing, reprising the fake Swami’s Shakespearean reference.

“Three Bubbles of Earth,” said Mrs. Norton merrily.

At that moment my doorbell rang, and I went to see who might be calling. It was a boy with a telegram. It was from my tenant.

ARRIVING NOON. COFFEE ESSENTIAL.

Oh these bachelors! I read it aloud to my guests. Mrs. Norton looked at my parlour clock.

“I should be going,” she said. “This idea of investigating things as a trio is an attractive one. Should you ever need me for such an adventure, put an advertisement in the personal column of the times. To ‘I.N.’ – some reference to Macbeth – and I’ll contact you.”

With that, she was muffled and gone. Mrs. Watson departed not long after her, and I was left on my own to prepare for Mr. Holmes’s return.

A day later everything was back to normal. Mr. Holmes was in his armchair reading his paper. Dr. Watson, returned from Dublin, had called to see him (before going home to his wife!). I was clearing away the breakfast dishes, when my famous tenant spoke.

221b 6“Watson, I see that Lestrade has been busy,” he said. It appears that two nights ago an alarm was raised in Whitechapel, and a dead Hindoo… hmm… from his description in the paper I would say rather a Punjabi Musalman… was found shot dead under some railway arches in Whitechapel, the murder weapon lying beside him. The murderer had made his escape. Later what appeared to be another Hindoo… there they go again… was apprehended about to board the steamer for Cuxhaven. He was first arrested on suspicion of having murdered the other fellow, but Inspector Lestrade of Scotland Yard was able to establish that he was none other than Eduard Sinkiewicz, a Pole, a former Russian spy, and a suspect in the murder of six gentlemen and the swindling of their widows, in the guise of a spiritual medium. Most of the ill-arrived gains were recovered from Whitechapel. Hmm… no residue of that case for us. But ah! What’s this?”

He sprang to his feet.

“The theft has been reported of an original manuscript of Edmund Spenser’s The Faerie Queene, from Pembroke College, Cambridge. Police in that University city fear that a ransom will be demanded for this national treasure. Watson! There is no time to lose. When is the next train to Cambridge?”

“But… but…” said Dr. Watson, no doubt wondering how to explain his absence to his wife.

“Cambridge,” I said to myself as I went down the stair. “Cambridge. Oh dear.”

I thought perhaps I had better put an advertisement in the Times without delay. One of the three bubbles had some explaining to do…

__________
This might not be the last you hear of the three lady detectives.

M.

Pet Hates

authorWriters who write down to their readers.

Writers who write for an ‘in’ readership.

Writers who are afraid to experiment in case they alienate readers.

I believe that literature belongs to everyone, is for everyone, and that everyone has a right to its radiance. No one should be afraid of picking up a ‘difficult’ book – difficult books do no belong to any elite. No one should be afraid of picking up a book from an ‘easy’ or throwaway genre – there can be a lot of joy in the simple and ephemeral, and that joy is everyone’s right too.

I detest shoddy workmanship, no matter whether in a difficult or easy book.

Free copies of my novels

books1I am offering a few free copies of my three published (so far!) novels. The copies will be made available, in pdf or ePub form, to anyone who would like to read any or all of them, and who is prepared to write and publish a review. The review may be posted on Goodreads, Amazon, Barnes & Noble, or anywhere else where the book is available on-line and where readers can offer reviews. Alternatively, if you have a lively blog with a decent number of followers/readers, I’ve no objection to your posting it there. Just let me know where and when. The novels are:

Lupa. This was my first novel. Someone suggested I should write a novel about a female gladiator. I sat down to do just that, and out came two parallel stories about young women in Imperial and 20c Rome. It has attracted a fair amount of interest since it was. One of my beta-readers said “I don’t do ‘Roman’, but I couldn’t put it down!” Find out more about it here.

The Everywhen Angels. This was my first novel for younger readers, and it was written in response to a challenge to set a fantasy story in a school or stop passing remarks about a certain fellow Scottish author. So I came up with this. There’s no D*mbled*re as a presiding deus ex machina, no Sn*pe or V*ldem*rt to hiss at, just a bunch of teenagers trying to make sense of the weird powers they have been given. This is the teenagers’ world, and adult interference is largely irrelevant to them. Read more about it here.

From My Cold, Undead Hand. Just when I thought I had time to work on a projected novel I had notes for, my publisher upped and asked me if I could write a teen-vampire novel. So I did just that. Someone told me it was ‘INSANELY good’ – think Buffy meets the Coen Brothers – but what will you make of it? Find out more about it here.

To get your fee copy, send an email to the email address below. Put Review: [title of your chosen book] as the subject of your email, and mention in the body of the email whether you would prefer a pdf or ePub version.

email

Thanks, and enjoy!

M.

Marie Marshall – the brand!

Mèrodack-Jeanneau Danseuse_jaune 3Everyone these days has to have an ‘author brand’. Or so it seems.

In particular, when an on-line presence – a web site, a blog, a Twitter account, a Facebook page, an author’s page at Amazon – seems to be essential, it is no longer enough to be a good writer. I believe I have that covered anyway, and if I hadn’t, there are a thousand-and-one sites out there offering advice on how to structure a novel, how to allocate time, the necessity of beta-readers, the advisability of professional editors, and on, and on. Now, however, if you want to sell your writing, you need to have something on line that instantly identifies you.

It’s not easy for someone like myself. I freely confess I am a very private person, a virtual recluse. I have always put forward my writing as the milieu and medium in which I express my strength, and have left the rest as a matter of mystique. Often, when asked for a bio, I borrow and adapt from the telegram sent by the artist Balthus when asked for a summary of his biographic details

NO BIOGRAPHICAL DETAILS. BEGIN: MARIE MARSHALL IS A WRITER OF WHOM NOTHING IS KNOWN. NOW LET US READ THE WORDS. REGARDS. M.

which is the way I like it.

Mèrodack-Jeanneau Danseuse_jaune 4An ‘author brand’ is so much more than a logo, or a slogan, or a web site layout; but all these contribute to it and, apparently, they tend to make an author as well-known as the famous ‘golden arches’, a true ‘persona’. Do I have one? I don’t know. I have the mystique, I have a web site that I try to keep ‘clean’ of clutter (I love a minimalist approach), I have that description of myself that someone gave me – ‘The Queen of Wow!’ – I have a lot of yellow. Whether this amounts to a brand, well, only you can tell me if my ‘touch’ is instantly recognisable.

You see, the recluse is truly who I am. The person who relies on the strength of her writing and her facility with language – that’s me! I’m a person, not a persona. La Danseuse Jaune and ‘The Queen of Wow!’ are only signs I hang on my door. What if all I had was a brand? No writing, no me, just a brand?

All front and no substance…

What’s that? Oh yes, thank you for asking, the new novel is coming along slowly but surely.