Marie Marshall

Author. Poet. Editor.

Tag: announcement

‘Le Phénix renaissant de ses cendres’ – critique par Thierry Guinhut.

‘At Jenners, Edinburgh’ (detail) © Paul Thompson

‘At Jenners, Edinburgh’ (detail) © Paul Thompson

For my Francophone readers, here is a review of the sonnet anthology The Phoenix Rising from the Ashes, of which I was Deputy Editor. The review is by Thierry Guinhut, a well-regarded reviewer in France. The image above is detailed from one which contributes to the visual layout of the anthology. Thierry’s review is glowing; most reviews have been good so far, with the exception of one ‘critic’ who seems to imagine some kind of Corsican vendetta exists between him and the Editor-in-Chief. The anthology is one of the many published items you can find under the ‘Works‘ tab on this web site.

Spring 2014 showcase at ‘the zen space’

moon-face-smilingThe Spring 2014 showcase at the zen space is now published, and can be seen here. the zen space is my little e-zine for haiku and related in-the-moment poetry. I’ve been editing publishing it since 2011, honing my editorial skills. If you have never visited before, please feel free. There are now eleven showcases to browse through.

 

Order ‘The Everywhen Angels’ at Waterstones

ref=sr_1_1Readers in the UK can now order a copy of The Everywhen Angels at their local Waterstones. It might not be on the shelves, so ask at the desk and they will get it in for you. My first novel Lupa can also be ordered from there.

I’m always interested to see reviews on Goodreads and Amazon, should you wish to volunteer one. However if you don’t have the time to write a review, please feel free to drop me an email or a comment below – a line of appreciation or recommendation from a reader is always welcome.

My YA novel ‘The Everywhen Angels’ – more news

41aYN0pMq2L._SY344_BO1,204,203,200_My novel aimed at young adults and older children – The Everywhen Angels – is now available internationally atAmazon, in paperback and Kindle formats. Will you be the first to review it, I wonder? I’m looking for reviews for Amazon and Goodreads.

‘The Everywhen Angels’ reviewed.

angel eyes

The Everywhen Angels reviewed by Nikki Mason in the YA section at BestChickLit.com. Click here.

A couple of nice things people said about me in 2013

“… an intellectual and creative juggernaut, with a rare combination of self-awareness and self-actualization…”

“… the Queen of Wow…”

(Just saying)

M.

‘The Everywhen Angels’ is now published!

My second novel, The Everywhen Angels, is now published!

Image © Millie Ho

Image © Millie Ho

It has taken some time for me to realise this particular ambition, but at last my second novel – my first specifically written for younger readers – is now published. It’s available in eBook format direct from the publisher at present, but as soon as it becomes available elsewhere I’ll let you all know. The timing is pretty good, as you can buy it to top up someone’s electronic stocking this Christmas.

A few years ago I was having a lively discussion with a bunch of on-line friends who were all devoted fans of a certain Scottish author and her growing series of books about a boy-wizard. I have to confess that I was being less than charitable, and the argument was getting circular (They’re not well-written – That’s because they’re for kids – But you’re reading them and you’re adults – That’s because they’re great! – But they’re not well-written…). Eventually they told me that as I styled myself an author, I should either write a fantasy set in a school and make it at least as good as one of my compatriot’s novels, or I should shut up. Well you know me, I don’t shut up that easily, so I buckled down and wrote the book. It was tried out on the thirteen-year-old daughter of a friend; the deal was that the daughter would do her homework and tidy her room, and the mum would read one chapter aloud to her every evening. Well, never has homework been so assiduously completed and never has a room been tidier. I realised I had a hit on my hands. The next task would be to convince a publisher.

The manuscript did the rounds. Head of Zeus showed interest in it but eventually declined it, at which point it was snapped up by P’kaboo, who had already published my first novel Lupa. Although P’kaboo is a comparatively small publisher, the feeling one gets from having a novel published commercially – twice! – is very pleasant. I’m not knocking successful self-publishing – that’s now an established thing with its own degree of satisfaction – but to be taken on by a publisher because they have faith in your writing does feel very special indeed. As regular readers here will know, the cover illustration was provided by Millie Ho. I’m hoping that this will mark the first of several collaborations with Millie, who is very gifted at putting ideas into images.

So what next for The Everywhen Angels? Well, of course we – P’kaboo and I – are hoping for sales. And of course I’m looking forward to reviews and to readers’ comments, from which I will quote here.

THUMBNAIL_IMAGESome more publication news came my way today. The Milk of Female Kindness is subtitled ‘An Anthology of Honest Motherhood’. Edited and published by Kasia James, it is a collection of prose and poetry on the subject of motherhood. The title is a quotation from Woolf’s Orlando. I’m pleased to say that I provided three poems for the anthology and also contributed a little ‘editorial consultancy’ work towards it. I have therefore had the opportunity to read through it already, and I have to say it is an exceptional collection. Some of the writers are known to me, most are not, and all have views on motherhood which do not necessarily reflect the image at first conjured up by the word. It is available on Createspace and I recommend it highly.

i-am-not-a-fish-cover-extractAlso today I was paying a visit to the excellent blog of San Snoek-Brown, and I found his list of recommended books for the coming holiday season. Sam has amassed a big haul of books by writers he knows, one way or another, and whose work he seems only too happy to draw to readers’ attention. My poetry collection from earlier this year, I am not a fish, is included in his list. Thank you, Sam!

It is no heavy obligation for me to reciprocate. As regular readers here will know, I’ve been raving about Sam’s fiction ever since I first came across it. So please accept my recommendation of his chapbook of short fiction Boxcutters, available from Sunnyoutside.

BoxCutters

The quality of ‘Phoenix’

Editor-in-Chief of The Phoenix Rising from the Ashes, Richard Vallance, comments on the physical quality of the book: 

“… The slip cover is in rich full-colour on high quality glossy paper. Now, there is a world of difference between cardboard bound and cloth-bound hard cover books, and this anthology is cloth-bond. The thirty-five black-and-white illustrations in the anthology itself beautifully complement it. The page layout of the sonnets (two per page) is highly professional, as readers will see the moment they open the book… As for content, stand prepared, my fellow editors, poets, sonneteers, readers and other publishers. You are in for a most pleasant surprise…’

The anthology is currently available here, and will soon be available at the major on-line retail outlets.

Millie and Marie meet some Angels

© Millie Ho

© Millie Ho

The first 'Angela' © Millie Ho

The first ‘Angela’ © Millie Ho

Recently it began to seem like a good idea to find cover art for The Everywhen Angels, my soon-to-be-published novel for older children, in a bit of a hurry. The idea was to publish well in time for Christmas, in order to advertise it for the seasonal market. Well, that might not happen, but in any case the perceived urgency gave me the chance to ask Canadian artist Millie Ho if she could come up with something post-haste. I sent her a copy of the draft manuscript, we discussed an idea I had in mind, and Millie set about constructing it.

Almost every day a sketch would come of one or all of the main characters – Angela, Charlie, and Ashe.

The first 'Ashe' © Millie Ho

The first ‘Ashe’ © Millie Ho

I watched their characters take shape. In the book, we read the same story three times, each version as seen by one of this trio. With each version we get more of the back-story, and maybe more revelations about the underlying mystery. All of it? Hmmm, wait and see. I ask a lot of the young readership; for example, Charlie’s story is told backwards, and one of the first things that happens is that he emphatically contradicts one of the major events of Angela’s story. I touch on ‘difficult’ philosophical matters but, as I learned from my literary hero in the genre of fiction for young readers, Alan Garner, an author should never underestimate the intelligence of his or her readership.

The first 'Charlie' © Millie Ho

The first ‘Charlie’ © Millie Ho

The book came about as a result of a heated but amicable argument between myself and some friends. They are all Harry Potter fans, and I was tearing JKR’s literary style to shreds*. They said I should either write a fantasy set in a school and make it as good as one of hers, or shut up. So I wrote one! It doesn’t quite qualify as a ‘fantasy’, but it does feature a group of teenagers with weird powers. An early draft was tried out on the twelve-going-thirteen-year-old daughter of one of these friends. It was read to her one chapter at a time, at bed time, in return for tidying her room and doing her homework. Never had her room been so tidy, and never had her homework been so promptly completed! I think I more than won the challenge. So does my publisher, P’kaboo, who has been enthusiastic about securing and publishing the book. I did try it with Head of Zeus first of all, who asked to see the full manuscript and were impressed by it, but decided it didn’t fit with the portfolio they were building up. P’kaboo then practically tore my hand off to get it.

You will soon be able to read the book, and you will soon be able to see more of Millie Ho’s artwork on the cover. There is a teaser of the final cover illustration at the top of this article. From the sketches here you will be able to see how Angela and Ashe developed from waif-like individuals to young people with great presence. Charlie’s sardonic streak was visible right from the word go.

The Angels take shape. © Millie Ho

The Angels take shape. © Millie Ho

My publisher  was as enthusiastic as I was about Millie’s finished illustration. Millie and I are now talking about further collaboration. There is a possibility of some high-action teen-vampire fiction of mine being turned into graphic novels by Millie’s ink and brush. Millie has already added the word ‘fangirling’ to my vocabulary – it’s what we do with regard to each other’s work. Seems like a good basis on which to continue. I’ll keep you informed.

__________

* Fair’s fair – at the end of the day, JKR can ignore my opinion all the way to the bank, and good luck to her!

And so the Phoenix has risen at last!

phoenix2The Phoenix Rising from the Ashes is – if you didn’t know already – an ‘Anthology of Sonnets of the Early Third Millennium’. by that I mean it contains examples of this long-established form of poetry written by contemporary poets. More than two hundred and fifty poets have been included in this book, and it is the first anthology of specifically 21c sonnets to be published. Editor-in-Chief is Richard Vallance, former Editor before his retirement and the magazines’ closure of Sonnetto Poesia and Canadian Zen Haiku. This anthology is his swan song as an editor. I’m proud to have worked alongside him not only as part of the editorial team of SP and CZH, but also as Deputy Editor of The Phoenix Rising from the Ashes.

At present the book is available at Friesen Press in hardback and paperback, and from eBookPie for your electronic reader, but will shortly also be available at Amazon, Barnes & Nobel, etc.

I really can’t recommend it too much. I know the work that went into it, I know the personal exertion that Richard went through to produce it, I know how the editorial team toiled. Most of all I know the quality of the poetry in the book – it is outstanding. There isn’t a poet in there who doesn’t warrant more reading. The sonnet is far from dead, and those people who choose to take the form as a vehicle for their poetic expression don’t do so out of nostalgia, but because it works. This anthology is a work of quality.